Acclaimed power-pop master Marshall Crenshaw certainly knows how the music business works—or, in the case of many artists, doesn't work. But Crenshaw is now waving goodbye to the traditional system, as the platinum-selling Grammy and Golden Globe nominee has decided to ditch the middle man and put out an EP subscription vinyl/download series. Thanks to [...]
See if you can name all fifty guitarists on this poster

?i speak to the women with some songs and adress the men with others.?, beschreibt rhythm?n blues legende andre williams. ?but there is only one topic to catch them all: food...
Well, another week's in the rear view, so it's time for our Friday Flashback Track Of The Week. This week we go back to 1987 and a bonus cut from the 2x7" release off the April Skies single from The Jesus And Mary Chain. Give it a spin and have a great weekend y'all.

Special thanks to our friends over at Psychedelic Light & Sound for turning us on to this video for Bo Diddley Was The 7th Son, a cut from The UFO Club's debut S/T LP, now available via Reverberation Appreciation Society. Check it out. The UFO Club - Bo Diddley Was The 7th Son from Bret Zausmer on Vimeo .
This one was described to me as sounding at times, "like the MC53 so of course I had to check it out. Because how often do you get to hear a Bo Diddley album that sounds like the MC5? The answer, of course, is never. Except on this album. Did you know (you probably did [...]

Muddy Waters at the Houston Juneteenth Blues Fest, 1977. Rock and roll has some killer riffs, mostly played on the electric guitar, and there is no riff more bad-ass than the da-dum-da-DUM riff from songs like Bo Diddley's "I'm A Man." Bo had some killer riffs in some of his songs, but the original source seems to be "(I'm Your) Hoochie Coochie Man," by Muddy Waters from 1954. Written by Willie Dixon, it seems to be the first use of this motif that has shown up in blues and rock music ever [...]
This past week was pretty much a Larry Norman centered week as far as listening to my CD collection, so that is why there is quite a bit of his music here. If you aren't familiar with him, he is definitely worth checking out, I wrote about him a while back here. Who Do You [...]

mp3: Bo Diddley - Down Home Train The chugging railroad rhythm is Bo Diddley's signature guitar sound and it's more than amply demonstrated here in this quintessential train tune from 1956. The song, about a man going home to see his baby, starts with Diddley asking for a ticket to MaComb, Mississippi. An interesting choice as Big Bad Bo left McComb for Chicago aged just 7 years. Seems he was a Mannish Boy after all. Today's selection was called Down Home Special when it was originally released on [...]
Courtesy of Its All the Streets , Village Voice ads, 1965 part 4

Roger Daltrey of The Who Our greatest rockers are people who apparently never used their "indoor voice." Why should they? They were future rockers! Anyhow, the other day I was thinking that the one ingredient basic to any good rock and roll song - besides a guitar solo, of course - is a blood-curdling scream. It could be an expression of rage and defiance, like Roger Daltrey's classic scream at the end of "Won't Get Fooled Again," or it can be a cathartic release of pain and frustration, like John Lennon in "Well Well [...]
An unfairly lambasted and ignored near-masterpiece from rock 'n' roll's most humble elder statesman. For those of you who don't know who Bo Diddley is, he was never shy about telling you; Bo Diddley is a man, a lover, a gunslinger, the originator who used a cobra for a necktie and made a chimney out of human skulls. Bashful, he is not. But beyond the fact that about ninety percent of his songs were made up of personal boasts (most certainly a precursor to the braggadocio that would later...

What’s the right time for Bo Diddley? Any time, and thanks for asking. For those more familiar with the sui generis rock ‘n’ roll architect’s colorful legend then with the undying grandeur of his music, may I suggest starting at square one? That would be 1958’s Bo Diddley, which stands as one of the finest debuts in the history of the whole r ’n’ r shebang. In rock terms, the enormous figure that is the late Ellas McDaniel né Bo Diddley is basically inescapable. Of course fans of the wild ‘50s explosion that [...]
Three things I have learned from listening to just one song off of Bo Diddley's psych masterpiece Black Gladiator: 1. Light In The Attic Records no matter what you hide yourself as (Modern Classic Recordings, Cinewax, or Future Days) you wiley clydes you, are top three greatest curators of forgotten music in the last ten years. [...]
"Who's the funkiest man in town? You are Bo Diddley." Sans, say, drugs, the closest you'll ever come to hearing an album again for the first time is through the ears of another - i.e. their reaction. In this case the album in question is Bo Diddley's 1970 psych-funk monster, The Black Gladiator - the [...]

"... I never heard anything avant-garde. To me it was just New York City Blues." Bo Diddley Bo Diddley's a Gunslinger Suicide Diamonds, Fur Coats, Champagne Alan Vega Jukebox Babe Royal Trux Another Year [...]

Bo Diddley - The Black Gladiator Bo Diddley is responsible for a lot of things, the Bo Diddley beat and the rise of a hundred garage bands being just a couple, but badass funk isn't necessarily one of those things that comes to mind. Around the same time that The Black Gladiator hit the streets Muddy Waters and Howlin' Wolf recast themselves in a modern light utilizing a cast of modern session players and dabbling with psychedelic textures and styles. In the same mold of experimentalism meeting [...]
Why Bo Diddley, you may ask? Why not? I may reply. Any time's as good as another for Bo Diddley, and this rockin' version of "Road Runner" is from 1965 and the TV show "Shindig." They used to have stuff like this on TV all the time.