
This Saturday, January 9th, is gearing up to be the most frustrating night in recent local folk music history, thanks to a huge convergence of talent in the Boston area. I've got third row tickets to see Greg Brown at Sanders Theater - a great place to see a folkfan's favorite wry basso and sensitive songwriter, who once told me a hilarious anecdote about being asked to sign a woman's breast, "and I had to hold it down with my other hand, it was so jiggly" - so I'm not really disappointed [...]

It's hard to overstate the influence of multiracial and multitalented guitarist Davy Graham on modern folk music. A seminal figure in the 1960s British folk revolution, Graham's broad interest in pushing the boundaries of folk music to include jazz, blues, middle eastern, and other global musical forms opened up the genre to a world of new possibility, enriching the very foundation of folk while making it accessible to a much wider folk audience. And his distinctive use of D modal or "Celtic" tuning, which allowed artists to easily maintain an open-string [...]

Thanks, America. I really needed some hope , and I know I wasn't alone. Some relevant reposts: Ben Sollee: A Change is Gonna Come (orig. Sam Cooke) (web release via multiple blogs, 2008; more Ben here ) James Taylor: A Change Is Gonna Come (ibid.) (performed on The West Wing, 2004; subsequent internet release; more JT here ) Jim Henry and Brooks [...]

If you're a younger folkfan like myself, and you know Jim Henry at all, it's probably for his work with others – whether it's as a session musician for the likes of The Weepies, Mark Erelli , or Cliff Eberhardt, a guitar and mando collaborator with fellow stringwizard Brooks Williams a la Grisman and Garcia, or, most recently, as a David Rawlings to Tracy Grammer, whose career performing the songs of her late partner Dave Carter is much enriched by Jim's direct, honest string work, harmonies, and production. [...]

Songsources are ever pouring forth new and unearthed sounds: the forgotten track, the new release, your own wonderful recommendations via email or post comments. Sometimes the perfect folksong pops onto the radar (or hits the blogosphere) and demands to be shared, no matter how after-the-fact. Today, our third installment of (Re)Covered , a regular feature in which we recover a few songs that dropped through the cracks just a little too late to make it into the posts where they belonged. Better late than never, I say. Thanks to [...]