Quite simply, this is one of the best bluegrass-meets-folk albums you hear this year - if not in any given year. Chances are, if you live outside of places like Boston and New York City, you probably don't know the name Bridget Kearney. Chances are, if the world suddenly becomes a fair and just place, you soon will. The multitalented bassist/songwriter has garnered a great deal of acclaim - she won the John Lennon Songwriting contest in 2006 for her compositions "Sometimes When I'm Drunk" and "You're Wearing My Favorite Shirt" - and is known as...

I was a media specialist the morning the towers began to fall: sole captain of a prep school video collection, and proprietor of the largest viewing space on campus. And so it was that the students came to me, one by one and together, by class and by cluster, as the word spread from teacher to teacher; so it was, indeed, that I ended up presiding over a grand experiment in media literacy, as the hour passed, and the cycle of not-news - that long hour of uncertain newscaster conjectures that accompanied the static, repetitive footage on every channel [...]
Joy Kill Sorrow - Acclaimed Boston-based new-traditionalist string amalgam follow up last year's fine Darkness Sure Becomes This City with their third studio album ... "We like experimenting and stretching boundaries," says guitarist Matthew Arcara, a sense of non-formulaic adventure that's summed up by the album's title...like The Low Anthem, the quintet may be grounded instrumentally in traditional bluegrass and Americana, but the core of the music feels more like poseur-free indie folk... Release : This Unknown Science (September 13, Signature Sounds) // Sounds like : a fascinating hybrid of bluegrass, folk [...]

My apologies for the absence of RS Wednesday this week. We'll be back on schedule next week. Joy Kills Sorrow - Darkness Sure Becomes This City I had a nice surprise Wednesday when I got to host an on-air interview/performance session with Boston based progressive string band Joy Kills Sorrow. I was supposed to go on the air after they were interviewed by our program director, [...]

Muruch's new Scottish reviewer, Jamie Morrison, had the wonderful opportunity to attend Mountain Stage's special concert in Glasgow, Scotland last Friday. The concert featured Joy Kills Sorrow, Dougie McLean, Mollie O'Brien & Rich Moore, and the legendary Mavis Staples. Jamie is an old, dear friend and happens to manage Oxfam's Music Shop (Facebook group: oxfammusicedinburgh or Twitter: @oxfammusicedin) in Edinburgh. His review and pics from the show are below... Glasgow's Celtic Connections festival, now in [...]

Muruch's new Scottish reviewer, Jamie Morrison, had the wonderful opportunity to attend Mountain Stage's special concert in Glasgow, Scotland last Friday. The concert featured Joy Kills Sorrow, Dougie McLean, Mollie O'Brien & Rich Moore, and the legendary Mavis Staples. Jamie is an old, dear friend and happens to manage Oxfam's Music Shop (Facebook group: oxfammusicedinburgh or Twitter: @oxfammusicedin) in Edinburgh. His review and pics from the show are below... Glasgow's Celtic Connections festival, now in [...]
I have always been a little wary of Celtic Connections , because my interest in folk music sort of peters out as it gets closer and closer to purely traditional forms, which dominates a fair bit of the festival. Not that they don't give loads of airtime to the crossover of folk into contemporary pop music, because they very much do, it's just that only a certain percentage of the lineup is ever really going to appeal to me personally, that's all. Anyhow, the not very folky at all Broken Records played last night with The Burns [...]

Mountain Stage is travelling from West Virginia to Scotland next week for a special concert in Glasgow as part of the Celtic Connections Festival . The magnificent Mavis Staples will headline this unique Mountain Stage concert at Glasgow's Royal Concert Hall on January 21st. If you have the opportunity attend, it's sure to be a fantastic and unforgettable show. The Event : Mountain Stage feat. Mavis Staples, Dougie McLean, Joy Kills Sorrow and Mollie O'Brien & Rich Moore [...]
Boston based new-traditionalist "string band" Joy Kills Sorrow bridges contemporary folk with a diverse pallet of music influences on their sophomore February 23 album Darkness Sure Becomes This City (Signature Sounds). Since their critically acclaimed debut in 2007, the "Yankee" Americana quintet has gone through some personnel changes, most notably the addition of Canadian folkie Emma Beaton as lead vocalist following the departure of promising solo artist Heather Masse. What hasn't changed is the quality of Joy Kills Sorrow's acoustic Americana music. A fascinating hybrid of bluegrass, folk and a touch of Celtic, Darkness [...]

Joy Kills Sorrow is a Boston based whose motto of "a modern American String band" encapsulates their sound pretty well. Darkness Sure Becomes This City is the followup to their debut record. It'll be released in 2010 on Signature Sounds . From what I've heard of the band they don't do that modern string band sound that is like a whirling dervish. Instead they use a lot of texture and space to create a sound that stradles bluegrass, folk and old timey. Pretty sure this song will be on the upcoming [...]

As the past recedes, the process of discovery and uncovery continues unabated. Though what's written is written, mailbags still swell, and readers still follow up on our work here at Cover Lay Down with news of covers from far and wide. Happily, there's (Re)Covered: an ongoing feature in which we return to subjects gone by in order to continue to bring you the newest and the best in coverfolk. Today, our tenth installment in the popular series. Cover Lay Down was [...]

I had high hopes of being alone in my father's house tonight, mining memory and time, writing a poignant entry amidst the same record collection which first sparked my interest in music as something more than just background noise or singalong. I've even got a few handwritten notes at the bottom of my pocket, written this morning while I waited for my father to come ever-so-slowly down the stairs, now ready as fodder for when the moment is ripe. But the routine spinal fusion which has brought me into Boston started much [...]
I'm guest hosting today over at the ever-diverse Mainstream Isn't So Bad...Is It? , where host Sean has taken a break from his usual depth and diversity to invite a new blogger in every day for a week. In my own case, I'm using the request to sit in as an opportunity to consider the straw man dichotomy which so many genres have used to set themselves against the conceit of "mainstream", and in doing so, claim a particular form of authenticity. Here's the transitional nut: ...Indie is a relatively [...]