
I entered the slightly packed Regency Ballroom with minimal knowledge of what Yann Tiersen is like in a live setting. All I knew were his heartbreaking and simplistic compositions for the films Amélie and Good Bye Lenin . I did have a few tracks from 20102s Dust Lane , but I don't remember if I particularly enjoyed it enough to return to it. After carefully doing my research on his recent album, Skyline , I realized his non-soundtrack material is significantly different but no less engaging and cinematic. Like a Villain [...]