WhiteHorsesInTechnicolorEveryw here - Fountain

Picture this, the sun. It's an easy task, but can you feel the warmth? There isn't a more concise way to describe the latest single from Santa Clara's own than a real climatic gem. W-H-I-T-E (or White Horses In Technicolor Everywhere) promotes the upcoming release of his LP Twin Tigers with a track that is prescriptive to what we can expect when it drops. Fountain is the fated thought-process of something brilliant. From the second it starts, Cory Hanson composes the perfect combination of synthesizers and drums, allowing them to feed off of each [...]
WhiteHorsesInTechnicolorEveryw here - Go On With The Gong Buy US: Buy UK:
![[MP3] W-H-I-T-E: “Fountain̶ 1;](http://cdn.elbo.ws/posts/3183447_lg.jpg)
Santa Clarita, CA's W-H-I-T-E , the music project of Cory Thomas Hanson, seems no stranger to flamboyance. With one listen to his most recent single "Fountain" this becomes clear, commanding poignant percussion, cascading polyrhythms, and incandescent vocal melodies to perfect absurdity. And while "W-H-I-T-E" as "white" seems to effortlessly roll off the tongue, unfolding the act's ridiculous acronym only serves to uphold the expansive and imaginative nature of his music: "White Horses In Technicolor Everywhere." [MP3] W-H-I-T-E - Fountain [via Heavy Percussion ] I'm constantly [...]

WhiteHorsesInTechnicolorEveryw here does up the future-retro sound. From the same ilk of Panda Bear, Lucky Dragons, Dan Deacon, etc, W-H-I-T-E makes me feel like the first time I heard Pet Sounds when I was 8 years old and the first time I saw Joey Casio when I was 21 years old. Not as soothing as the Beach Boys and not as harsh as Joey Casio, but sonically expansive, danceable and very much its own thing. His debut, SUNNA , came out on Aagoo Records last year. WhiteHorsesInTechnicolorEveryw here- Go On With The Gong [...]
![W-H-I-T-E [Feature]](http://cdn.elbo.ws/posts/2291073_lg.jpg)
White Horses In Technicolor Everywhere , or, more commonly known as the acronyms W-H-I-T-E or W.H.I.T.E., is the project of Cory Thomas Hanson. W-H-I-T-E comes across as a more emotive rendition of the immensely colorful electro-master Dan Deacon. Hanson's blend of noisy experimentation meets home-crafted electronics differs from Deacon in a very distinct way. Where Deacon's mantra fits the more wild-eyed, insane protagonist, W-H-I-T-E's appears much more in-tune with reality, albeit a horrific one wrought with the pains of life. The two are really polar opposites. W-H-I-T-E's weight of [...]