Blog: Michael Patrick Brady

My review of the self-titled Fern Knight album ran today at PopMatters . Fern Knight bears many of the same themes as Margaret Wienk's previous work: the fairy-tale darkness of Seven Years of Severed Limbs , the wistful longing of Blithewold , and the folklore fantasy of Music for Witches and Alchemists . On those albums, however, she seemed to occupy a world of her own creation, a beautifully luminous storyland that gave organic life to her [...]