Review of Frida Hyvonen's Silence Is Wild
Knotan With her 2005 (2006 in North America) debut Until Death Comes , Swedish songstress Frida Hyvonen established herself as a distinctive new voice, capable of veering from stark confessionals to demented whimsy at the drop of a hat. I base this as much on my recollections of her deliciously entertaining March 2007 performance at the Mod Club as I do from whatever impression the album itself made because, well, I no longer seem to have a copy of the album around to refer to. But [...]



















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