The Killers made a time machine capable of traveling back to the gayest part of the 80's
"Day And Age," by The Killers has done something that I really didn't think they could do again and that's surprise me. "Hot Fuss" was pretty cookie cutter synth pop and then they come out with "Sam's Town" and boom! they not only sound like a 'real' band, they fucking sound like a 'real' good band. Who knew? Apparently, nobody because every nerdy white guy critic this side of XXL magazine jumped in screaming about the second coming of Bruce Springstein like the minute "Sam's Town" closed, we'd all be raptured up to heartland rock heaven. Their third [...]




















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