
M adeleine Peyroux's fourth album isn't the normal mix of standards (contemporary or traditional) with a few songs of her own composing; each of the 11 tracks is a new song written by Peyroux, usually in tandem with producer Larry Klein or a guest. Still, she appears in her usual relaxed setting, with a small group perfectly poised to translate her languorous vocals into perfect accompaniment. Fans of vocal jazz may be disappointed to see that all the songs are new ones— many a great conversation could consist solely of the standards she should perform—but they [...]