
Midway through her set at Club Passim last Friday, right before covering Woody Guthrie's "Deportee," Antje Duvekot remarked on something she'd read about the Great Depression. "Lighthearted entertainment became important to people," said the Somerville-based singer-songwriter. "They needed it to get them through it." A beat of silence, and then laughter rose from the crammed, brick-walled, basement folk club. The unstated punch line of Duvekot's self-depreciating joke had been made evident by the first half of her show, the second of four sold-out gigs promoting her just-released second studio album, The Near Demise of the High Wire [...]