
Post Punk had a mad crush on all things German. German art. German novels. German music. John Lydon regularly name checked Can. Ultravox! nicked their exclamation mark from Neu! And OMD's Paul Humphreys was so besotted with Kraftwerk that he slept with one of their albums under his pillow. With its gleaming new cities, its multi-lane roadways and high-speed rail links, and its cool, technical proficiency, Germany seemed to embody the spirit of modernity, even as it was haunted by the ghost of its tragic past. This strange fascination with the Teutonic provided The Passions with their sole hit, a [...]