Blog: A Northwest Music Blog

In the Beginning, there was the Central.

Apr 27, 2009, 1:37pm A Northwest Music Blog
In the Beginning, there was the Central. Saying it's name will always spur conversation. Whether it be admiration of total destain, The Central Saloon is a fixture in the Seattle Music Scene. It has been the spawning ground of some of the biggest bands while still being a dirty hole in the wall. Bands like Soundgarden, Mudhoney, Alice in chains, Nirvana... even Janes Addiction have dropped sweat in that dusty musky room. It is fondly admired by artists all over the world who make pilgrimages to it whenever in town playing concerts. The best part of the Central, it knows its a dive bar. It [...]
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In other news… there was other news?How a Mixtape Could Get You Laid in the 80’s and 90’s2 For 1: Vegan in the Morning and Cuban Cigar Crisis“There was no point in trying to mix the two” – TLOBF meets Ghosting SeasonTour Dates: 08.19.11 – Seattle, WA @ Fremont Abbey for Songs About Books 08.20.11 – Davis, CA @ Sophia’s Thai Kitchen 08.21.11 – San Francisco, CA @ Hemlock Tavern 08.22.11 – Los Angeles, CA @ Bardot 08.24.11 – Tucson, AZ @ Plush 08.27.11 – Denver, CO @ The Meadowlark 08.28.11 – Salt Lake City, UT @ Urban Lounge 08.29.11 – Boise, ID @ Visual Arts Collective 08.30.11 – Seattle, WA @ Comet Tavern Bright Archer’s music is as hypnotic as snow falling on water. Sounding at once vast and muted, the music centers on the voice and ornate piano playing of Johanna Kunin. Growing up in Minneapolis, Kunin grew attached to piano playing at an early age. Childhood afternoons spent poring over field guides and summers whiled away exploring the Boundary Waters also cultivated an early fascination with the natural world and her place in it. But instead of becoming a naturalist, Kunin gravitated toward music, singing with the Minnesota Opera Company as a child and getting a jazz education during her college years in Seattle. She was in her twenties by the time she discovered songwriting, a medium through which she could combine her interest in the natural world with music. After her first couple demos earned her a grant, Kunin met Tucker Martine who went on to produce her first full-length album, Clouds Electric (released in 2006). The making of her second album, Hidden Systems, marked a turning point for Kunin. Quickly immersing herself in the rich musical community of Portland, OR – which she would eventually join – and at the production helm for the first time, she chose a new musical moniker, Bright Archer, to better reflect her music’s evolving sound. On a series of winter weekends, Kunin co-produced the album with Skyler Norwood at his studio outside Portland and found 70s-rock inspiration on the radio dial while commuting from Seattle. Kunin and Norwood fashioned arrangements in the studio, borrowing a french horn player here and a bass player there from the bevy of bands Kunin plays in (Loch Lomond, AgesandAges, Velella Velella). Though all songs still center on Kunin’s lush voice and piano; a chorus of orchestral instruments, vibraphone and playful keyboard sounds allow each of the new songs to take on ornate lives of their own. The resulting music is rife with surreal atmospheres, melodic vocal lines and rhythmic piano backdrops. Lyrically, songs proceed in a wide-eyed, dreamlike fashion with the subject matter drawing portraits of the ephemeral, the ambiguous, and the fragile. Bright Archer will capture your imagination and remind you what it’s like to look at the world with eyes anew. Hidden Systems is out on July 5th, 2011 from Bear Island Records!Psychedelic Visions in the Night: Incan Abraham at the Central SAPC

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