Blog: WFMU's Beware of the Blog

Why 70's porn music was never "classic," why 80's porn music is far superior (even though it's much worse), and the disingenuous lie of the "bow-chicka-bow-wow" phrase...

Why 70's porn music was never "classic," why 80's porn music is far superior (even though it's much worse), and the disingenuous lie of the "bow-chicka-bow-wow" phrase... Face it: only douchebags still believe the typical music soundtracks of 1970's porn films are "classic." Although, since only a douchebag would watch enough actual pornography to allow himself (or herself) to eventually arrive at such a conclusion, perhaps that particular revelation is a moot one. Nevertheless, an example: I was recently watching yet another John Holmes "classic" mid-70's porn film (not for any unseemly reason. Let's just say...I was masturbating) and as soon as the screeching, thin, artless fake-funk soundtrack began to mask the fake shrieks and moans, I had to wince. It was like an un-orgasm [...]
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Tour Dates: 08.19.11 – Seattle, WA @ Fremont Abbey for Songs About Books 08.20.11 – Davis, CA @ Sophia’s Thai Kitchen 08.21.11 – San Francisco, CA @ Hemlock Tavern 08.22.11 – Los Angeles, CA @ Bardot 08.24.11 – Tucson, AZ @ Plush 08.27.11 – Denver, CO @ The Meadowlark 08.28.11 – Salt Lake City, UT @ Urban Lounge 08.29.11 – Boise, ID @ Visual Arts Collective 08.30.11 – Seattle, WA @ Comet Tavern Bright Archer’s music is as hypnotic as snow falling on water. Sounding at once vast and muted, the music centers on the voice and ornate piano playing of Johanna Kunin. Growing up in Minneapolis, Kunin grew attached to piano playing at an early age. Childhood afternoons spent poring over field guides and summers whiled away exploring the Boundary Waters also cultivated an early fascination with the natural world and her place in it. But instead of becoming a naturalist, Kunin gravitated toward music, singing with the Minnesota Opera Company as a child and getting a jazz education during her college years in Seattle. She was in her twenties by the time she discovered songwriting, a medium through which she could combine her interest in the natural world with music. After her first couple demos earned her a grant, Kunin met Tucker Martine who went on to produce her first full-length album, Clouds Electric (released in 2006). The making of her second album, Hidden Systems, marked a turning point for Kunin. Quickly immersing herself in the rich musical community of Portland, OR – which she would eventually join – and at the production helm for the first time, she chose a new musical moniker, Bright Archer, to better reflect her music’s evolving sound. On a series of winter weekends, Kunin co-produced the album with Skyler Norwood at his studio outside Portland and found 70s-rock inspiration on the radio dial while commuting from Seattle. Kunin and Norwood fashioned arrangements in the studio, borrowing a french horn player here and a bass player there from the bevy of bands Kunin plays in (Loch Lomond, AgesandAges, Velella Velella). Though all songs still center on Kunin’s lush voice and piano; a chorus of orchestral instruments, vibraphone and playful keyboard sounds allow each of the new songs to take on ornate lives of their own. The resulting music is rife with surreal atmospheres, melodic vocal lines and rhythmic piano backdrops. Lyrically, songs proceed in a wide-eyed, dreamlike fashion with the subject matter drawing portraits of the ephemeral, the ambiguous, and the fragile. Bright Archer will capture your imagination and remind you what it’s like to look at the world with eyes anew. Hidden Systems is out on July 5th, 2011 from Bear Island Records!Best Music 2010: J. Cole Speaks On His Top Album And The State Of Hip-HopSasquatch! Music Festival Announces Lineup; Foo Fighters, Death Cab, Wilco, and The Flaming LipsNew Music: Seeker Lover Keeper – ‘Even Though I’m a Woman’Why Gaslighting Works: Tyler, His Creation, and the MediaJessie and The Toy Boys – Push It Feat. Yelawolf (Music Video) x We Own The Night

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