FRANKEL: ANONYMITY IS THE NEW FAME
That's the weakness here: there are no surprises, lyrically or musically. Some well-placed vocal harmonies rise above the musical textures especially in the title track, but fangless feedback and keyboard fills only take up space. Anonymity becomes too familiar, too genre-bound; later songs begin to inhabit a similar tempo and feel, especially once the piano gets replaced by the guitar. There is still a definably Los Angeles sound in this album, and Orendy shows a lot of promise on his sophomore Frankel effort—but he needs to show some bite, too.




















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