
The idea of Diddy tossing in his own take on contemporary music's undying obsession with all things bridging an 80's pop/ electro-rap sensibility with a Y4K club feel (read: his own 808's & Heartbreak or "Boom Boom Pow") for the forthcoming, high-concept LP Last Train To Paris felt very unnecessary from the first moment it was announced. But then we remembered a few things: A) Diddy-as-musician has kinda always felt unnecessary; B) his decade-plus-strong career as admittably unleashed more than a few entries we still get giddy over [...]