
by Dave "Scout" Tafoya Welcome to the cabaret of Joel Gibb. The Berlin-based frontman of the Toronto-based musical collective, The Hidden Cameras , has found what he likes best and made a highly efficient machine out of it. What does he like? Hooks. Hooks so theatrical they border on kitsch. Switching between showmanship mixed with operatic presentation of otherwise ordinary (if splendid) tunes, soft inward-looking balladeering, and Pleasure Principle-inspired new wave, Origin:Orphan , The Cameras' fifth album, finds them delivering non-stop niceties, whether you want them or not. The songs [...]