
Kudos to Rose Elinor Dougall for taking the high road out of the predictable and kitsch all-female gimmick group The Pipettes last year. Rose has a style that is much more interesting and displays real maturity, I can almost see her moving into darker more experimental pastures. In fact, after checking out her impressive and lengthy list of influences (Portishead, Silver Apples, My Bloody Valentine...) I expect just that. "Start/Stop/Synchro" is rhythmically not that different from her past group's work, but the [...]