
I was in Underground Sounds the other day and Phantom Family Halo 's new album Monoliths & These Flowers Never Die was playing. I didn't recognize it at first, but what I heard was epic. Every track seemed lifted from a timeless album that changed music, but in a mirror reflecting PFH's own image. It's messy, its distorted, it's trippy, it's perfect. I've seen them a number of times in the past and I've always been a fan, but this album has taken them to a whole new level for me. The album throws pretension and convention [...]