Jan 18, 2010, 1:03pm
3hive

Alisa and I read differently. She reads for plot. I for sentences. Sleepingfish publishes writers whose first concern is the sound of their sentences. Music without notes. Just tone and rhythm. Rhythm and mood. Consider this sentence from this issue: She is unaware of the little bits of fabric he would sew into her palms: in private she squelches her poise and it is awful to hear silence exist in such a perfect American accent. [Julie Doxsee excerpt] Sleepingfish not-so-regularly publishes such work from some my favorite writers: Peter Markus , Dawn Raffel, Diane [...]