
Kieran Hebden, otherwise known as Four Tet , has been making waves recently. Once content to stay outside the fold, creating off-kilter pieces of electronica, devoid of classification and markedly different to his contemporaries, he seems to be making gentle inroads into the world of bass music. While that may seem horrifying to some die-hard fans, Hebden's interpretation of the current melting pot of bass, techno and goodness knows what else remains as thoughtful and well-crafted as ever. It's no wonder the new generation of house and techno producers revere him as something [...]