
Modern love songs are often and best written with dual perspective, a sort of twin cinema, the bias and narrative of a protagonist offset with the opinion of another. The Postal Service described this methodology with crushing clarity on 2003 release, "Nothing Better" where Ben Gibbard's romantic solipsisms were redirected by Jen Wood's corrections, a style immortalized for all time with, "I feel I must interject here." The rest was history. If love and loss are done by two people, perhaps they are best sung this way. Sounding an awful lot like Stars - [...]