Blog: Big Shot Magazine

★★★★☆ Calling his third album The Killer sounds unforgiving, but Shed seems such an inoffensive moniker, bordering on a random flick through the dictionary as way of choosing, that you wonder how much harm he can really do. It becomes a classic sucker punch in a program of techno guarantees that the majority seem ignorant of. Once you’ve bought into the callous from passive persona, Rene Pawlowitz’s main means of attack is nothing simpler than sounding louder than everyone else. Rocket science it most definitely ain’t, but Shed’s drums on "I Come By Night" [...]