Blog: The Deli Magazine

The new self-titled album by Everyone Everywhere finds the band about 5 years older, similarly jaded and existential, noticeably more confident in their "sound," but eagerly expanding on their expounding indie rock. The group sticks with their buoyant lead guitar noodles, cacophonous crescendos, and nonchalant tenor, but the subtle additions not as present in their last album are what bring this one to life. The nine-track album is, if you focus on the lyrics, a fairly heavy affair. It recalls a man trying to paint a landscape while sitting in a windowless basement. [...]