
Barbara Anastacio For a band that's made their name on stately, carefully crafted chamber pop, Brooklyn's Grizzly Bear are surprisingly polarizing. Their proponents find the intricacy of their harmonies, arrangements, and musicianship exquisite while their naysayers just find them dull. I actually lean more towards the latter than the former, but temper it with a healthy amount of respect for what they do and how they do it. So with that frame of reference established, take it for what it's worth when I say their new album Shields [...]

Liz Flyntz If we can regard Beach House literally as their namesake, which is to say as a holiday getaway, a reliably stolid place to escape from the real world, then the amount of adoration they've gotten for largely sticking to their skeletal formula through four albums now is understandable. Their fans don't want them to reinvent themselves with each outing; they want that comforting blanket of Victoria Legrand's narcoleptic vocals and whirring keyboard interwoven with Alex Scally's languid slide guitar, and across their first two records - their 2006 self-titled debut and [...]