Tagged: jeanpierrejeunet

It's difficult to determine whether Jean-Pierre Jeunet's growing likeness in both substance and style to the heights of Terry Gilliam is intentional or just him becoming more eccentric in his artistic vision. Regardless, anytime the director of Amelie, The City of Lost Children, and A Very Long Engagement has a new flick out, it's worth keeping an eye on it.

Toronto - The French are not linked to eccentricity without solid evidence. When the opening scene rolled for Micmacs, which is when Bazil's mom found out her husband was vaporized by a landmine, I could have bursted out laughing because the YELP she gave had no audio sense of shock or grief except that it was implied by context. It was this little, giddy yelp that you exhale after seeing a baby monkey being accidently thrown into a 12 diameter well from a 60 ft tall branch by its sibling, sort of saying: wow, it's just one of the ways [...]

<center><object width="4253 height="3503><param name="movie" value=" http://www.youtube.com/v/jDnVc Ldu1C83></param><param name="wmode" value="transparent"></param><e mbed src=" http://www.youtube.com/v/jDnVc Ldu1C83 type="application/x-shockwave- flash" wmode="transparent" width="4253 height="3503></embed></object> </center> <img src=" http://i61.photobucket.com/alb ums/h56/deafindieelephants/usa flag.gif" /><strong>English Version:</strong> <p>Do you remember in Amelie, when you watch the likes and dislikes of all the characters? Well, it all began with " Foutaises ", one of the first short-film of director Jean-Pierre Jeunet, the actor Dominique Pinon, 7 minutes of pure art. (with english subs)</p> <p align="center"><!- adman -></p> <img src=" http://i61.photobucket.com/alb ums/h56/deafindieelephants/ven ezuelaflag.gif" /><strong>Versión en Español:</strong> <p>Recuerdan en Amelie, cuando se describen lo que le que gusta y disguta a los personajes? Bueno, [...]