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April 16, 2009 - They may only have a couple of official songs and a handful of demos to their name now, but The xx is a band to watch. Both casually cool and absolutely magnetic, this young London four-piece makes music that's simple and raw, but utterly captivating.
Romy and Oliver, the two lead vocalists of the group, have known each other since they were three years old and seem to exude a kind of natural chemistry when they sing together. According to Oliver, however, this shared history initially made it harder for the two to sing in front of each other. Because neither of them wanted to be the first to pipe up, Oliver says they "decided to sing at the same time and it just seemed to work nicely." Besides singing together, the two often collaborate on writing the lyrics. "I feel we bounce off each other quite well," says Oliver who appreciates Romy's more cryptic writing style.
On the heels of their just-released UK debut LP, xx, this band of four London 20-year-olds is currently getting the type of hopped-up British press that makes savvy music fans raise an eyebrow in disbelief. (The record hits U.S. shores October 20 via XL.)
But, unlike many of their Next Big Thing ilk, the xx aren't another Britpop nostalgia band or synth-flavored act in a shiny top. Their music is as understated as the lowercase letters that make up their name. Centered around the soothing, wounded voices of co-leads Oliver Sim and Romy Madley Croft, xx offers a wholly realized sonic aesthetic that lies somewhere between, pop, soul, and indie; between Hot Chip, Sade, and Young Marble Giants.
It's an impressively mature bow, especially considering three of the four members still live with their parents. After starting out while at London's Elliott School (which was also home to Hot Chip and Burial), the group was noticed by UK label Young Turks, who allowed the band to suss out their haunting sound over a two year period instead of going for another overnight MySpace cash in. By all accounts, the patience paid off. We recently spoke with Sim about his band's rise, working with Diplo, and watching Beyoncé fly:
They really just aren't very good. Not bad, but no better than that.
And that is all there is to say on the subject.
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Posted by: adam_beggarsMan, the weekend cannot start soon enough.
eeewwwww.
these guys are not very good at all. i'm not conviced that their songs ever progress beyond boring. but the central problem i'm hearing is that their voices are terrible terrible terrible. not sure how pitchfork let this one slip past them.
"Infinity"'s slow-strummed electric chords feel like late-period Radiohead."
really??? sounds more like a bad cover of "wicked game" to me. . .
yes, but at least there the weakness is somewhat accounted for with a lo-fi, noise pop aesthetic.
for the record, i'm not a big fan of either of those bands.
of the *hundreds* of bands w/ similar aesthetics, i find it mind-boggling that vivian girls and wavves are supposed to be the forebears of this new sound. i'm a-ok w/ crap production and sloppy musicianship - in fact, i kind of love it. but all i can think of while listening to them is the dozens of bands who do the same thing so much better..
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