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  1.  
    Just wondering if anyone else has received an email from Chris Bridgland of Parlophone (EMI) from the UK? He sent me this email (see below) about putting content on my site from EMI. I wrote him back saying I refuse to list any of his content as I’m sure the EMI Promotions Department view MP3 Bloggers differently to their Legal Department and that makes it more risky to MP3 Blogger to accept. He wrote back saying no it’s wouldn’t be Illegal as long as it’s not exploited or something along those lines. I replied and never received a reply saying his motives were akin to entrapment but the whole thing reeks of the entire early 90’s Scam Indie mentality. Plus if you allow yourself to be subjected to the majors dictating your content there goes any independence you have on the MP3 Blogging concept a whole.

    Cousin Creep


    *******************
    Hey guys
    How’s it going? I’m just getting in contact to introduce myself and see if you would be interested in working with me in the near future and beyond. Basically, my name is Chris, and I am the digital marketing assistant at Parlophone (EMI) based in Hammersmith, London (UK). I came across your audio blogging site and it really impressed with me, seems a great way to spread the word of new music across the internet and reach a large number of people who are also into new up and coming music.
    We have a number of emerging artists on our label, and also on Regal (the smaller label which deals with up and coming artists) and are looking at the best ways to expose them across the internet. I wondered if you would be interested in working with us in a small way, we would send out exclusive unreleased audio and press/shots from the new records which are coming out in the near future, and you just carry on with what you are already doing with posting it and making it available for download for a limited amount of time. As already said, although we are a major label and responsible for huge artists such as Kylie, Beastie Boys etc, we do have a very committed A&R department which works with a lot of small underground emerging talent, the lifeblood of the industry, from the UK and overseas. This is the reason why I personally love working here as the industry would not be able to survive if not for the continuous source of original emerging talent from the underground.
    If you are interested, or alternatively if you are not, could you please message me back so I know. If you are interested would you be able to answer a few questions just so I can have a few details down about you and your blog site.
    Name :
    Email Contact :
    Other Contacts (phone/other email) [optional] :
    What kind of genre you prefer to work mainly with and post up on your site
    [ Pop / rock / hip-hop / dance / jazz / anything! ] :
    Where are you located : [ London / L.A. / New York etc ]
    I will have to ask about site traffic, mailing lists, updates etc, just for me to know for my spreadsheets, but that can wait until I know whether you want to be involved or not!
    Thanks a lot mate and hopefully hear back from you soon
    Chris Bridgland
    Digital Media Assistant

    Parlophone
    43 Brook Green
    London
    W6 7EF
  2.  
    maximum ROFFLES to follow:

    I came across your audio blogging site and it really impressed with me, seems a great way to spread the word of new music across the internet and reach a large number of people who are also into new up and coming music.
  3.  
    u guys know that the majors are using blogs to farm out the bands they don't want to pay for advertising for rite
    • CommentAuthorEddie
    • CommentTimeOct 5th 2006
     
    Yeah, I got the same email. I was going to reply merely to ask exactly what they had in mind. Then I looked at their roster of artists and decided not to bother.
  4.  
    oh man letter is LOLerblading all over the place
  5.  
    set blogs to IGNORE
    • CommentAuthorMalatron
    • CommentTimeOct 5th 2006
     
    I received the email . I told him he can feel free to send along anything he wants. but I can not offer to provide aything in return.
  6.  
    my friends - you've been invited to the machine.

    someone should send him a link to that thread where you guys all kicked my ass for about 278 posts.
  7.  
    Cousin Creep, didn't you quit your blog? That would make the email you got even funnier.
    • CommentAuthorsquashed
    • CommentTimeOct 6th 2006
     
    What kind of genre you prefer to work mainly with and post up on your site
    [ Pop / rock / hip-hop / dance / jazz / anything! ] :
    Where are you located : [ London / L.A. / New York etc ]
    I will have to ask about site traffic, mailing lists, updates etc, just for me to know for my spreadsheets, but that can wait until I know whether you want to be involved or not!."


    hilarious. Too bad I am not running a hardcore punk site.
    I would have told him to fist himself while holding a flagpole before me giving him that sort of information.

    site traffic? eh hmm. so he is clueless.

    ... mailing list (who runs milis except for internal purposes?), that's what a blog is for...
  8.  
    Jon Manyjars,

    Yes I have quit my MP3 Blog (Short Term MP3 Loss) yet I still run a MP3 Blog collective ‘Antipodean Underground’ (dealing with 70-80-90’s Australian underground music) which is hosted on my site and welcome to anyone that wants to join. I’ve stopped the Short Term MP3 Loss Blog as it’s my belief that MP3 blogs are gathering the soon ire of unwanted litigation from the people who don’t understand its concept or its purpose. I think there’s a quote somewhere that artists shouldn’t fear copyright violation only obscurity. Short run limited edition indie singles from 15 – 25 years ago are the new public domain which are perfect for the MP3 Blog. When more people started their own MP3 Blog and uploaded anything (including non-deleted material on majors) this will certainly gather unwanted attention which will bring down the MP3 concept as a whole. Like I’ve said before Major Label promotion departments view MP3 Blogs as free promotion, legal departments view it as infringement. While it may be the calm before the storm and I may be overly paranoid… I got out while the going was good.

    Cousin Creep
  9.  
    I knew that you had quit Short Term MP3 Loss -- I quoted your last post in the "Nayblog" discussion here. I share your concerns for the future of mp3 blogs.
  10.  
    Thanks for the comment jon! I have Chris Bridgland of Parlophone (EMI) reply which I had on my home outlook account.

    ...MP3 blogging is a relatively new experience and one that record
    companies are just starting to understand. As long as it is kept up to a
    professional level, and not expolited allowing hundreds of albums up for
    free download it can be a good thing for both artists and consumers....
    Chris Bridgland
    Tuesday, October 03, 2006 4:18 AM
    • CommentAuthorsquashed
    • CommentTimeOct 6th 2006
     
    yeah as if nobody notices that significant amount of record company costs is on advertisement and promo.
    •  
      CommentAuthorloudersoft
    • CommentTimeOct 7th 2006
     
    what they're all hoping is that they will magically market some second-string mediocre buttrock act to us and get us interested enough to write about them.

    for every 10 submissions i get from majors, 9 of them are not that great. the one that is even pretty good of those 10 is tough to write about because there's a chance it will get mawed by some cease & desist letter
    •  
      CommentAuthorbethanne
    • CommentTimeOct 7th 2006
     
    i got a nice package in the mail from EMI. no joke.

    it didn't have the decemberists album (i bought it anyway), but it did have the new R.E.M. best of (in cd and dvd form)
    • CommentAuthorcb chris
    • CommentTimeOct 7th 2006 edited
     
    mine had Merle Haggard too...but after listening to it...I discovered something interesting...I don't like Merle Haggard...oh and with the recent posts on MarathonPacks & Chromewaves...I'm presuming there's a good number of people who got REM - a great listen/watch
  11.  
    That's interesting Bethanne...I wonder if they recycled my Pet Sounds mailing list (just curious). Did you contact them and asked you to send it or are you working with another PR person there?
    • CommentAuthorsquashed
    • CommentTimeOct 9th 2006
     
    Spammers, and traditional answer to spammers. Have fun boys.


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    Hey

    How’s it going? I’m just getting in contact to introduce myself and see if you would be interested in working with me in the near future and beyond. Basically, my name is Chris, and I am the digital marketing assistant at Parlophone (EMI) based in Hammersmith, London (UK). I came across your audio blogging site and it really impressed with me, seems a great way to spread the word of new music across the internet and reach a large number of people who are also into new up and coming music.

    We have a number of emerging artists on our label, and also on Regal (the smaller label which deals with up and coming artists) and are looking at the best ways to expose them across the internet. I wondered if you would be interested in working with us in a small way, we would send out exclusive unreleased audio and press/shots from the new records which are coming out in the near future, and you just carry on with what you are already doing with posting it and making it available for download for a limited amount of time. As already said, although we are a major label and responsible for huge artists such as Kylie, Beastie Boys etc, we do have a very committed A&R department which works with a lot of small underground emerging talent, the lifeblood of the industry, from the UK and overseas. This is the reason why I personally love working here as the industry would not be able to survive if not for the continuous source of original emerging talent from the underground.

    If you are interested, or alternatively if you are not, could you please message me back so I know. If you are interested would you be able to answer a few questions just so I can have a few details down about you and your blog site.

    Name :

    Email Contact :

    Other Contacts (phone/other email) [optional] :

    What kind of genre you prefer to work mainly with and post up on your site

    [ Pop / rock / hip-hop / dance / jazz / anything! ] :

    Where are you located :

    [ London / L.A. / New York etc ]

    If you are interested in working with us here at Parlophone, please could you also just answer some simple question about your site.

    Site Traffic

    What kind of site traffic are you currently receiving?

    Daily……………………………………………………

    Weekly…………………………………………………

    Monthly…………………………………………………

    Mailing List

    Do you have a mailing list?

    If so how many subscribers?

    Updates

    How often do you update the site, and is it always done by the same person?

    Do you have a comments area for artists feedback from their posted material?

    Chris Bridgland
    Digital Media Assistant

    Parlophone
    43 Brook Green
    London
    W6 7EF

    www.emimusic.co.uk
    www.parlophone.co.uk
    •  
      CommentAuthorbethanne
    • CommentTimeOct 9th 2006
     
    not really. they just up and sent me the package. so i'm assuming it's from the pet sounds list.

    i thought it was really weird though. but it's all good.
  12.  
    It all reminds so much of the early to mid-90s, where major labels had active college radio and zine publicity departments (except majors had lots of crazy bands back then--early Mercury Rev? Archers of Loaf? Flaming Lips of that era?), and college radio basically became a commercial radio farm team and stayed that way (the late 90s/early 2000s being an exception to that because the majors didn't care anymore or not as much). I say you've just got to watch it. They come bearing gifts and praise and promises of "keeping it real" and then--pow!--right in the kisser!

    Can anyone say Sound Team?
    • CommentAuthorsquashed
    • CommentTimeOct 9th 2006
     
    looks like phishing to me.
    •  
      CommentAuthorbethanne
    • CommentTimeOct 9th 2006
     
    thank goodness i'm taking the high road out - i haven't publically announced my early retirement. yet.

    i'll make it in a month.
  13.  
    Hmmmm... never occurred to me that I might have gotten on the EMI bus via the Pet Sounds thing... Although I was pretty pleased with the R.E.M. stuff. The Merle Haggard, eh, not so much. Sorry Merle.
    •  
      CommentAuthorbethanne
    • CommentTimeOct 10th 2006
     
    i was impressed - but being the good daughter i was, i gave the cd to my dad. he's the bigger country fan in my immediate family.
  14.  
    Funny -- I've got that one ear-marked for my Dad too.
    •  
      CommentAuthorbethanne
    • CommentTimeOct 10th 2006
     
    that's funny!

    but i listened to it with my dad too. and it's pretty decent.
    • CommentAuthorsquashed
    • CommentTimeOct 17th 2006
     
    Just making sure, recent big label interest with bloggers are suspicious. They are launching massive war in europe against any downloaders, blogger included. Legal or illegal be damned.

    So don't get stupid if you are approached by big labels with too good to be true deal.
    As I predicted months ago. With album sale keeps going down, these mofos are looking for somebody to blame. And any sort of download that don't give them money is a target. If your main target audiance is British isles, dutch and French be very alert.

    http://p2pnet.net/story/10137
    •  
      CommentAuthorstytzer
    • CommentTimeOct 18th 2006
     

    Don't see ghosts! I actually believe this part:

    "we do have a very committed A&R department which works with a lot of small underground emerging talent, the lifeblood of the industry, from the UK and overseas"

    But thanks to the decline in Music sales (thus a decline in profit) I'm pretty certain that the budget for promoting the small emerging artists has been heavily reduced by the guys in the boardroom, thus forcing the people on the floor to think in new and alternative ways. Look no further than The Arctic Monkeys or CYHSY and you have the perfect business case. Build up the hype via blogs, Myspace etc., and you can sell a lot of albums without spending too much money on marketing. If this works 2-5% of the time (1 out of every 20-50 artist), it will still be very, very profitable.

    So they are not trying to trap you/us. But in my opinion I'd much rather see it as them trying to explore new strategies, which will improve/increase their marketing at a very low cost. If all bloggers buy into this, they'll be able to reach quite a large and dedicated audience - and the cost will be some promo CD's, concert tickets, setting up some webpages (which they'd do anyway) etc.

    But like the rest of you I'm not going to reply/sign-up. I like receiving mails from various labels - but (again) like the rest of you I like deciding myself what to post or not to post (and I very much doubt this'll be the case, if/when you sign-up to "work/post for" a big label!).

    • CommentAuthorsquashed
    • CommentTimeOct 18th 2006
     
    oh please,

    they have enough money for country club, lawyers to sue everybody, paying lobbyist, lavish party, but they can't hire people to nurture artist career?

    fuck 'em.

    digital and CC will fry them to high hell if I can help it.
    •  
      CommentAuthorstytzer
    • CommentTimeOct 18th 2006
     

    Oh - they have all the money in the world......but these guys don't have the philanthropic approach to things like we (bloggers) or the small independent labels have. If they A&R department cannot guarantee a long term profit on a portfolio of artists, the number of employees will be reduced. You may like it or not. These companies are in the world to make (a lot of) money (try to ask your dad or people in general on the street - some of them have probably bought shares in entertainment companies and they want return on investments!). And if these companies believe someone is stealing their product they will sue them to hell. And so would you if you invented something that you believed (!) someone else was stealing. This happens in every business - not just in the world of music. I sit right next to our corporate lawyer (I work in a software company) and we're a small fish in a big sea, where everyone seems to be trying to steal/imitate our product. So fight for what you believe is yours. That's the spirit - even if this means that you're going after 16 year old kids!

    All I'm saying is that I understand why they are doing what they are doing, but I sure as hell don't say that I approve with it!

    And all I really was saying in my previous post was - that I saw the mail as a part of a new marketing strategy - not trying to ambush bloggers!

    • CommentAuthorsquashed
    • CommentTimeOct 18th 2006
     
    Big labels are by definition weasles and thug. Sorry.
    •  
      CommentAuthorstytzer
    • CommentTimeOct 18th 2006
     
    Guess I'm naive by definition then!
    • CommentAuthordilvie
    • CommentTimeOct 18th 2006
     
    So, I've been getting some really bastardized MP3's from majors.  Stuff like CD's with snippets of tracks (just the chorus and bridge) or the whole CD with tracks chopped into tiny little overlapping chunks to make ripping virtually impossible.  Note to majors:  This is not how to market through an MP3 blogger.
    • CommentAuthorsquashed
    • CommentTimeOct 18th 2006 edited
     
    Posted by: stytzerGuess I'm naive by definition then!

     

    yes you are.

    name five other industries that has overhead model like the big labels (the others are oil companies, gambling industry, defense industry and pharamceuticals)
    •  
      CommentAuthorstytzer
    • CommentTimeOct 18th 2006
     

    Cannot see that I'm naive because of that (sorry!).

    This could easily turn into us discussing profit, which probably no one is interested in! I don't know a label's typical margin, but just as an example let's say it's 40%. If it's reduced to 30%, who should or would care? You? No way! Me? Not really! The investors and the stock market? Don't need to answer that!

    OK - they are weasels and thugs - but I doubt that you'll see them accepting earning less than they were used to. Doesn't work like in the music industry, in any of the ones you mention or any other industry for that matter! Ever heard of a company declaring that they are happy earning less than last year? Or Microsoft saying - people are copying our product big time, but we don't care!

    The main problem I guess is probably that music is supposed to be entertainment not business. And unfortunately it's exactly what it is!

  15.  

    the music industry has been in trouble since the late '90s because the big labels have enormous staffs and a convoluted economic system, as well as tons of bands who never get any promotional push that money is no doubt squandered on. I'm sure a label like Matador or Sub Pop runs a much more effecient, profitable ship, if not one that's necessarily making millions of dollars.

    if they can get promo through us without investing superstar $$$ and building a grassroots following for these minor bands, it will help them immensely. problem is, most of these bands suck a lot.

    • CommentAuthorscottp4k
    • CommentTimeOct 18th 2006 edited
     
    that merle haggard comp is great-- mama tried, the bottle let me down, workin' man blues, i take a lot of pride in what i am, today i started loving you again. at least the people who listened gave it a chance, but honky-tonk and depression-era and post-depression country and bluegrass...there's loads of good stuff in there besides yer cashes and clines.

    actually, I think stytzer's initial posts are more correct than incorrect but the label's motivation is less out of a desire to push good music as it is just plain cluelessness (there's a bit of deception, but the main prob wth the majors seems to be that top jobs are filled by old-boys and accountants who have no grasp of what's happened to their industry, little ear for talent, and no clue as to how to fix their problems). In a year in which Arctic Monkeys and Lily Allen broke in the UK, no surprise that UK labels are trying to get cozy with people who could a) help ID emerging 'myspace/blog' talents, or b) help give off the impression that one of their existing signees is an organic, grassroots success. (haha, lucas otm, re: sound team. good god.)

    which brings me to an innocent question. not arguing either way: why is a major label approaching you to use you for cred and publicity seen as so different than an indie or a pr company doing it? ok, a few more, would you guys really not post something you like (say, decemberists or modest mouse or lily allen or death cab-- delete where applicable) just because it's on a major, or is it more fear of legal trouble? Did everyone stop posting Decemberists tracks when they signed? Did anyone consider not posting rem or the beach boys just because of the label? Is the label a hard and fast rule or a convenient boogieman that's set aside if you like the music?

    just curious.
  16.  
    Posted by: scottp4kthat merle haggard comp is great-- mama tried, the bottle let me down, workin' man blues, i take a lot of pride in what i am, today i started loving you again. at least the people who listened gave it a chance, but honky-tonk and depression-era and post-depression country and bluegrass...there's loads of good stuff in there besides yer cashes and clines.

     Scott, you should review the Willie Nelson & the Cardinals record. The clips sound fantastic.

    • CommentAuthorscottp4k
    • CommentTimeOct 18th 2006 edited
     
    we are going to review that! And we'll review Hag eventually, and the Bob Wills box set, but not til next month or early Dec. when comps and the odd big hip-hop record (e.g. nas, clipse) are the only new releases worth a damn. (rest is, like, I dunno, carrie underwood and stuff like that) That time of year and early January is, for us, sort of cleaning up what we missed in august-oct. (Indie releases have mostly already dried up for the year-- and it seems like all those labels close up shop completely around Nov. 14 and won't reopen until that January Tuesday when the Of Montreal and Shins are released.)
  17.  

    ironically when i wrote a thing about how the year's basically over, i started getting all these incredible promos.

     

    •  
      CommentAuthorstytzer
    • CommentTimeOct 18th 2006
     

    Scott - I believe we pretty much agree on this. Their motive is definitely not to push good music, but simply a business decision trying to "jump on the wagon".

    I thought we all agreed that indie is cool and that major labels and mainstream are so uncool :-) 

  18.  
    So, I've been getting some really bastardized MP3's from majors.  Stuff like CD's with snippets of tracks (just the chorus and bridge) or the whole CD with tracks chopped into tiny little overlapping chunks to make ripping virtually impossible.  Note to majors:  This is not how to market through an MP3 blogger.

    I'm curious.  Which lables have been pulling these shennanigans?

  19.  
    We have worked only ONE project for major labels (with no MP3) for Pet Sounds, because I love the album so much. When we first took it on, I thought there would be an mp3, in fact I tried to get multiple mp3s for the project, but it was a "no go." At least there was a great series of podcasts, but still, it isn't quite the same.

    During the campaign, I pointed out to them any thread I could find regarding how important mp3s are for bloggers and younger music buyers or music fans who are into discovery via the web, and they seemed to be coming around. Personally though, I think I would have to think twice about taking on any project in the future with no mp3s. If a company wants to use online promotion to get the word out about their releases, I think it's only fair they should come up with something to contribute to that effort.
    • CommentAuthorsquashed
    • CommentTimeOct 18th 2006 edited
     
    Posted by: stytzer

    Cannot see that I'm naive because of that (sorry!).

    This could easily turn into us discussing profit, which probably no one is interested in! I don't know a label's typical margin, but just as an example let's say it's 40%. If it's reduced to 30%, who should or would care? You? No way! Me? Not really! The investors and the stock market? Don't need to answer that!



    That's how among other they determine monopolisitc behavior in court. (eg. Microsoft is busted that way. price and margin is not budging at all overtime.)

    Or for eg. you can't determine what is pharmaceutical company overhead. (amazing as it is) because they have to hide it. If you can determine pharma's exact overhead, you gonna be found dead the next morning before publication or you will get a major world recognition. They find out price control for vitamin. C that way. Price doesn't move after very long time. Right after court ruling, You find vitamin C in all sort of one litter Juice for 99cents.

    Let's put it in very simple term. You can go to walmat and buy a portable CD player for $19.99, A lammo big name country CD is priced $15.99

    You can buy a whole computer for $299.

    You do the math.

    If somebody close down the major tomorrow night. I can guarantee you music will be free, while artist will earn several hundred K a year. (ie. everybody will pull a google on music. give it away or on low price, attached it to something else)

    as of now, artists are not making money and nobody can listen to music unless youa re the privilaged few. (I am sorry, several hundred million listeners in a 6 billion population planet == privilage few.)
    •  
      CommentAuthoritsatrap
    • CommentTimeOct 18th 2006
     

    I probably already have all the tracks elsewhere, but if anyone wants to forward their copy of that Hag CD to me, I'd appreciate it. I consider him to be America's greatest living songwriter - his last few records are just as good, if not sometimes better than his stuff from the olden days.

    • CommentAuthordilvie
    • CommentTimeOct 19th 2006
     
    Posted by: BillRocksClevelandSo, I've been getting some really bastardized MP3's from majors.  Stuff like CD's with snippets of tracks (just the chorus and bridge) or the whole CD with tracks chopped into tiny little overlapping chunks to make ripping virtually impossible.  Note to majors:  This is not how to market through an MP3 blogger.

    I'm curious.  Which lables have been pulling these shennanigans?

     Honestly, I don't remember.  They landed in the trash as soon as I figured out what was going on.  If you've got your head so far up your buttocks you can't send even one song of playable audio, start to finish, I don't care who you are.  You're nobody to me.  Wendy, feel free to quote me on that.  ;)

    - Eric
  20.  
    scott (et al):

    i believe this will be remembered as the year that music bloggers moved the needle in the industry. (similaire to bloggin' in '04 with politics and '02 when P4K registered with the music industry by "breaking Wilco" or at least the year that it took Ryan more than 2 seconds to respond to an interested advertiser ;).

    therefore, every publicist is gonna have to tout their expertise in "blogging".  what blogs do you like? what blogs do you work with?  give me a proposal outlining your approach to getting an mp3 on GorillaVsBear?

    but, (to borrow from hypebot) being an "expert" in creating hype in the blogosphere is akin to being a "viral marketing expert".

    accordingly, labels are going to try to develop a "competency" (or at least tout one) in this area.  they'll build databases, craft blog-enewsletters, and maybe even Blog Marketing Divisions (god, help us all).  i think that's what EMI is doing up top.  the ugly truth is (and one they probably won't realize) that they'll probably only make wieldy the blogs who really don't matter.

    the best thing a label can do is post-safe mp3s (ah shit...first stumbling block for a major), run your own blogs, try and be transparent with what your doing and build relationships....maybe get the lawyers busy suing YouTube, Allofmp3 and   (lawyers need to be suing someone to feel alive)

    i know we always don't follow these principles (TY, YLT, Jaxx, Raconteurs)...but we're learning, too.  what we have learned is that if we put out good stuff, make it available...then things happen naturally.  and that is refreshing given the unnatural, impenetrible lameness we've had to deal with commercial radio (payola is still the norm), national print mags (we'll review your small band for an exclusive with XX) and TV (sidebar:  Studio 60 officialy marked its demise when Sting showed up).   

    but...expert more of what's up top.  i get a lot of phone calls from folks asking me for our database - i simply say, download an RSS reader and start learning.

    -@


  21.  
    i agree with basically everything you just said, and think it's a very perceptive and knowledgeable post. other labels definitely *should* be chasing yr lead, seems to me.

     (except for the thing about labels starting blogs... do you really think that's had much impact? maybe by having no interest whatsoever in that, i'm in the minority... crit/entertainment blogs are for me about cutting -through- the This Week's Releases or publicists'/labels' hype, and the idea of a label blog seems like the complete opposite to me.)

    i do sometimes think of giving up a bunch of my plans and resolutions (these are personal and not ideological) in order to try to score a job as a publicist. it's weird to think that one day you are just writing about songs on yr website, the next you have expert knowledge of an in-demand and hothothot 'new media field'...
    •  
      CommentAuthoritsatrap
    • CommentTimeOct 19th 2006
     
    I've seen a few label blogs that approximate what some of the best band blogs do - give a glimpse as to what goes on behind the scenes, encourage fan interaction, etc. It doesn't all just have to be PR hype. It can be done in a way that's interesting and draws viewers.