What Happens in Duluth, Stays in Duluth (I hope)
  • I covered it.



    Also, if you want a source, Ray is the best there is.  http://recordingindustryvspeople.blogspot.com/
  • By the way, if you didn't follow either link, a woman in Duluth was ordered to pay the RIAA $222,000 for sharing 24 songs (ok, she had around 1700 on her computer at the time, but the case was about 24 songs).  More coverage of this nonsense makes me happier (if you needed a reason other than the obvious ones that it's the first award for the RIAA in a suit, it's ridiculous and it's interesting on many levels).
  • Something is not right.



    "When a Judge agreed with the RIAA's claim that 'making available' was actionable under the Copyright Act, in Atlantic v. Howell, the RIAA was quick to bring this 'authority' to the attention of the judges in Elektra v. Barker and Warner v. Cassin. Those judges were considering the same issue. When the that decision was overturned successfully, however, they were not so quick to inform those same judges of this new development. When the defendants' lawyers found out — a week after the RIAA's lawyers learned of it — they had to notify the judges themselves . At this moment we can only speculate as to what legal authorities they cited to the judge in Duluth, Minnesota, to get him to instruct the jurors that just 'making available' was good enough.



    http://yro.slashdot.org/yro/07/10/06/228202.shtml


  • http://www.informationweek.com/news/showArticle.jhtml?articleID=202300917



    The Minnesota woman ordered to pay $220,000 after being found guilty of illegally downloading copyrighted music is loudly voicing her own opinion about the case including plans to appeal the decision.
    Jammie Thomas' attorney announced Monday that he would appeal the decision, which has been viewed as a victory for the Recording Industry Association of America. The single mother's attorney made the announcement during a CNN interview, just days after a jury found her guilty in the first RIAA case to go to trial.
    Thomas wrote about the announcement on her MySpace blog.
    "He explained how we're going to take the RIAA's theory of making [files] available and appeal it," she wrote. "He also explained how if we win, this would stop the RIAA dead in their tracks!!! Every single suit they have brought has been based on this making available theory, and if we can win this appeal, they would actually have to prove a file was shared and by someone other than their own licensed agent."
  • Squashed, I suggest you start taking up a collection for that poor woman.
  • i think i saw a paypal donation site on digg




  • In today's New York Times, Rachel Aviv profiles the Free Culture movement emerging on campuses of students and young people. These activists are fighting the good fight for the copyleft. And they are pissed off. (Article includes special bonus quote from our own Cory Doctorow!) From the New York Times: Cory Doctorow, co-editor of the popular technology blog Boing Boing, said the recording industry lawsuits were not “scaring students away from file-sharing, but scaring them into political consciousness.” Last year, Mr. Doctorow was an adviser to the Students for Free Culture chapter at the University of Southern California while teaching a course on the history of copyright law.



    Opposition to the music industry and its efforts to protect copyrights often dominates discussions on campuses. Chapters have organized demonstrations in front of major record stores and held “iPod liberation” parties where students have downloaded software together that makes it possible to swap songs.



    http://www.boingboing.net/2007/10/10/nyt-on-free-culture.html



    First Radiohead...now Nine Inch Nails bids adieu to music label



    Less than a month after publicly calling executives at his music label unprintable names, rocker Trent Reznor has signaled that his days of working for a record company are over.


    http://www.news.com/8301-10784_3-9793541-7.html







    Since 2001, Einstürzende Neubauten [neubauten.org] has been exploring new ways to produce records and interact with their public while producing the album. Their last 3 albums were produced by a subscription. As supporters, we could attend the recording sessions via webcam, chat online with the band members, or use the forums to discuss about the directions taken by the band ; we obtained early versions of the songs, and attended private concerts. Unanimously agreed as a great experience!



    They've been fairly successful so far, though they still want to polish their formula. There is

    a nice interview about their latest album and the issues they face in going "label-free" [neubauten.org].



    http://yro.slashdot.org/comments.pl?sid=323299&threshold=1&commentsort=0&mode=thread&cid=20924105

     




  • Stop giving money and buzz to majors.
  • I was being sarcastic about the collection, Chris ;-)
  • Welcome to idiotville. The other morons will presided on contentious techy issues and shaping the future of yet to be formed technology.


    Next, should stem cell cloning be decided by jury. It will be presided by your highschool janitors and dumbest christian pastos one can find.


    film at 11.




    http://www.news.com/8301-10784_3-9795095-7.html?tag=nefd.pulse





    In the interview with Wired's David Kravets, Hegg, a steelworker, said that during deliberations, the jury concluded after only five minutes that Thomas was guilty. He said that they spent five hours trying to decide what to award the recording industry. Hegg, 38, said the jurors did not believe her story that someone spoofed her IP address.


    "She should have settled out of court for a few thousand dollars," Hegg told Wired. "Spoofing? We're thinking, 'Oh my God, you got to be kidding.' She's a liar."


    Thomas, 30, has announced that she intends to appeal the case brought against her by the RIAA, She said she is seeking to argue her case before someone who is more tech-savvy.


    But if Thomas can produce experts that can at least prove its possible her IP was spoofed, why didn't she present them in court?


    "We didn't have the money to put those experts on the stand," Thomas said. "(Hegg) can say my story is not true, but at the same time you're talking about a person with no technology background whatsoever. He said his wife is an Internet guru, but his wife wasn't on the jury."


    Thomas also was disappointed that the jury may have been punishing her for crimes committed by others.

  • http://www.wired.com/culture/lifestyle/commentary/theluddite/2007/10/luddite_1011





    The message, apparently, is this: "We're idiots."


    The RIAA, after all, is the guardian of an industry so antiquated and oppressive that having sympathy for these guys is a little like feeling sorry for a Georgia slaveholder after watching Sherman's troops fire his mansion and scatter his livestock.


    So when their first victim, Thomas, turns out to be a single American Indian mother of two making a measly $36,000 a year -- latte money for the RIAA boys -- you have a hard time picturing these guys nailed to a cross. But that's the image the RIAA has tried hard to foster since some pimply-faced intern first explained to them what file sharing was. All of a sudden it was, oh, boo-hoo. Poor us.


    Cry me a river.


    Here's an industry so bloated with executives and middlemen, all of them greedily slurping up profit like bluepoint oysters, that the people who actually write the songs and play the music -- the "talent" -- are getting royally screwed in the royalty department. It's been like that for years. The Dylans and the Stones of the world might be able to rise above it and name their price, but for the rank and file it's "Dance to our tune, or go back and rot in that crummy little club."

  • this is a test case, and one that succeeded on behalf of the industry for one reason: the jury went after her because she appeared to by lying during her testimony.  her credibility as a witness destroyed her own case, and that was that.  



    i mean, i still think it's fucked up, but that's the clear and logical explanation for this whole mess.
  • This is just an opening. A year from now, their own action is undermining their own legal argument. (or conversely, somebody is going to take up their own words about digital music and start bilking huge fees out of their effort.  Hopefully a clever artist)

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