"the bloggers are in charge"
  • That panel is up next at SXSW. Can someone who attends or is on the panel give us a blow by blow account? I'm curious if there's any backlash against music bloggers or the perceived importance of blogs. From the title of the panel I expect there will be. If I remember correctly we never wanted to be in charge and I like best those blogs that understand that.
  • Wait, I've had some kind of power all this time?
  • As far as I can tell, all I'm in charge of is a few words on a screen, and even then, I see myself as caretaker, not overseer of that space. The other "in charge" part is conditional and self-monitoring only: IF I want labels to keep sending me music, and I don't want to be sued, and I don't want to undermine the profitability of artists, then I should (am "in charge of" making sure that I) play nice with the mp3s.

    Perhaps "are one of several constituencies at the cutting edge of a social movement" would be a more accurate phrase than "in charge"?
  • Are in charge of filling up the internet with niche views, diluting the readership of more established enterprises?

    I quite like the being in charge of very little except my own taste. The fact people agree with me is a bonus, but people are fickle and I have no doubt will desert me as soon as something better with access to more free music they like comes along.
  • This panel should have been named "Come listen to me talk about my blog" not "Bloggers are now in charge" - http://twitter.com/giovanni
  • Giovani is harshing on the music bloggers on the panel. Interesting comments. Maybe there should have been some snarky old media types to get the discussion headed in the right direction. I wonder if sxsw provides a transcript after the fest is over.
  • considering the self-promotional and hype-perpetuating nature of some music blogs, i would imagine "come listen to me talk about my blog" would be an apt description. not hating on the specific panelists here. just making a general observation on the state of the music blogosphere.
  • Posted by: buzzgrinderconsidering the self-promotional and hype-perpetuating nature of some music blogs, i would imagine "come listen to me talk about my blog" would be an apt description. not hating on the specific panelists here. just making a general observation on the state of the music blogosphere.

     


    Well most blogs, outside of music fit the title more. Like the money-making blogs and what not really make me want to shoot myself in the head before I want to hear/read about them. At least with most music bloggers, they could just talk about the music they like. Then again,...some music bloggers are annoying.
  • Well most blogs, outside of music fit the title more. Like the money-making blogs and what not really make me want to shoot myself in the head before I want to hear/read about them. At least with most music bloggers, they could just talk about the music they like. Then again,...some music bloggers are annoying.


    but you expect money-making blogs to be that way. it's their very nature. i don't want to say too much more specifically, because i don't want to step on any toes. not that i would name names. it would just be easy to tell what i was referencing.
  • Posted by: J HoaSThis panel should have been named "Come listen to me talk about my blog" not "Bloggers are now in charge" - http://twitter.com/giovanni

     


    yeah i dont know who that dude is but on his site i read on his website that he creates internet rock stars. (????)



    I hope people got something out of it... the title of the panel was awkward, but the description of the panel i thought was a good one:



    "Amid the rubble of the music industry, a new breed of music enthusiasts has established instantaneous and direct links to like-minded fans. What exactly is their impact on the scene?"



    i thought all the panelists really spoke from personal experiences, and glen from coolfer was an awesome moderator.



    a big topic of the panel was how do the blogs impact local scenes which is something i love talking about...




  • I think whatever little power most music bloggers I know had was all but wiped out by the great Blogger battle of last year. So many blogs shut down after having posts deleted by Blogger, and the rest of us have had to rebuild our audiences after moving elsewhere. The big names like Stereogum may still have some clout, but a lot of us are back to pretty much just writing for ourselves and our regular readers. We may have small circles of influence, but I don't think it's on nearly as large a scale as this time last year.
  • It sounds like it simply wasn't very organized - or at least not to Giovanni's liking - which I've found, unfortunately, is very common with discussion panels like this. Since I wasn't there I obviously can't offer any credible opinion on that specific panel, but I know that a capable moderator is key to keeping things on topic and within the format. On the other hand, it sounds like SXSW may not have given the panelists a proper outline/guideline in terms of what the key speaking points should have been.

    Still, this guy is apparently a public relations/marketing expert, and I think part of his problem is that he expects people who are not in the marketing field to speak like people who are, as well as speak to the specific issues he's interested in, as a marketer ("I expected to walk into this panel and be blown away by a couple, if not five emerging media/social media mavens"). Blogging is an amateur endeavor by default, so to expect the guy that writes about music because he loves it to say anything other than "I write about music I like" is kind of silly. The fact that he found the concept of bloggers being 'fanbois' as shocking reveals the unrealistic expectations/general lack of awareness he walked into this panel with.

    Frankly, I'm not sure how many bloggers really have a grasp or are concerned with their so-called impact, let alone could go into great detail about it. To me, if they wanted that kind of discussion they probably should have selected someone like Matt Fluxblog to be on there - he's not only been around for a long time, he gets great mileage out of the whole 'very first MP3 blog' tagline. Point being, I think he has a good idea of how to effectively market his blog, so he may have been more up this fella's alley.
  • Sean R...the way I look at it, Matthew P really isn't a "blogger" anymore, he has moved into a professional role as a writer for several outlets, though he still (technically) has a wonderful blog.

    As for this Giovanni fellow, if he's a marketing guy, don't feel as though you aren't "cutting it" by speaking his language. I'm a marketing person who is CONSTANTLY reminding labels and other PR folk that bloggers should not be treated like promo puppets. Just do what you do because you like it. If you want to do something more formal down the line, like Matthew and others have done, it will happen, but don't sweat it. Have some fun.

    Personally, I enjoy blogs who haven't been co-opted by the evil music business (to which I am a party, *sigh*). Once blogs start turning it into a job, it really shows.
  • Agreed, Wendy. I was just saying if that's what he wanted, Matthew would have been a better choice (which isn't a slam against Fluxblog at all, just a recognition that he's one of several who have moved beyond simply 'blogging', as you've said). I think he (Giovanni) went into the whole thing with the expectation that it would be catered more to people like himself who obviously are far more interested in new marketing techniques and possible reach, and since it wasn't, he decided to get angry about it. Understandable, I guess, but kind of ridiculous at the same time.
  • Besides, everyone knows if you gather a bunch of bloggers together in the same place we're eventually going to circle jerk about vinyl. It's inevitable. :)
  • i like this quote from the article donewaiting points to:



    In some ways bloggers have replaced the “cranky record store clerk” as the source for musical hints, Peoples said.



    i think that's true, although some of us are crankier than others!
  • mmmmmm vinyl.....
  • a pretty good article that references the panel, No Depression, and music bloggers in general

    http://www.austinchronicle.com/gyrobase/Blogs/Music?oid=oid:758830
  • C'mon Craig can't you put in a proper link with some Html? :-) Interesting article thanks for pointing it out!
  • I was at the panel and thought that though it clearly wasn't for me, I already know what I do for a living and don't need it explained, it helped enlighten artists and pr people whom came. Or at least I hope it did. There were only a handful of questions and I believe 3 out of 4 were rather angry. I twittered something about them reminding me of BrooklynVegan commenters.

    One I recall from a Scot in a kilt in front of me inexplicably angry because he thought the panelists wanted artists to sign to major labels. He clearly did not want to be. Another from a pr type person confused and annoyed about how each individual blogger wants to be contacted and sent music in a different way.

    I think SXSW could have come up with a better structure for this panel, I must say. That having nothing to do with the fine moderator or panelists, but the discussion didn't have enough of an outline and instead strayed too much into personal opinion instead of a commentary on blogging as a whole.

    I was invited afterward to a "blogger peer group" set up by SXSW which speaking of, had no structure whatsoever. Maura from Idolator and I were the only ones to show up in fact. Janet from OuttheOther kept us company for a bit and the three of us ended up having a really nice conversation about women bloggers and women in music before giving up on anybody else showing.
  • First:

    "pr type person confused and annoyed about how each individual blogger wants to be contacted and sent music in a different way" = bad at your job

    Showing respect to people that play a crucial role in your career? Unheard of! While I have not been blogging as long as some of you good folk, bloggers deserve a lot more credit than is given. I wouldn't mass email some promo people so they can send me new music!

    Regarding the future:

    While blogging as a business is unrealistic unless you have the capital to invest in a Stereogum-like set up, I see no issue with business savvy bloggers! Taking into consideration how many people follow music blogs and how many people follow those people that follow music blogs, there is a large audience out there to support new, music related business ventures. Hype Machine being an obvious example! While music will never die, it is important that we have a stable industry that can stand behind musicians and music lovers. This has most likely been addressed before, but I would love to see more bloggers getting together to dream up new business ventures. Many of us have vast networks of people to reach out to, knowledge of the industry's shortcomings and a strong awareness of music and cultural trends, beyond our day job skills and other talents. If you see what I'm getting at I would be totally down to hit the drawing board with some of you! If anything it's a good exercise in forward thinking!

    Cue rally call.

    earsofthebeholder@gmail.com
  • "Another from a pr type person confused and annoyed about how each individual blogger wants to be contacted and sent music in a different way."

    I get pissed off when I read this. Some labels and PR folk expect to just badger people into posting their shit, and this is why promo is so hard these days. I don't mind writing personal letters to bloggers, I just hate that bloggers and even people with whom I have had a relationship for YEARS fucking ignore everything these days due to douchebags like the person noted in this comment.

    This is the main reason I am on the way out of this game.
  • And some bloggers expect a brand new freshly penned and 100% personalised email from someone who has several hundred of the things to send and a day job.  Speaking from personal experience, that just isn't realistic.
  • Posted by: wendy williams This is the main reason I am on the way out of this game.

  • Do most pr type people realize that bloggers A) potentially receive hundreds of emails a day and B) most likely don't blog full time and have very busy lives.

    I use emails more as a reference now. I hardly ever sit down and read them unless it really grabs my interest or it's directed right at me.
  • Adam, I totally want a JayZ crown, like the one on his shirt ;-)
  • Wendy - Based on your comments you seem like the type of person we need more of!

    From my perspective, I just think it's better for PR to foster strong relationships with a few bloggers that really dig the material and have strong readership, rather than trying to fish for responses from a bunch of blogs. Quality over quantity seems to work out best in a lot of situations.
  • That is a beautiful idea. Lotta pressure these days from clients however. The goalposts are moving all the time. More, more, more. ;-)
  • I wrote a whole three paragraph comment to the above comments but when I hit the add your comments button I got logged out and lost it all. So, I will try again, I'm tired so bear with me....

    I just don't get the above comment from EarsoftheBeholder. Isn't the situation you describe already in place? The larger blogs with the big readership already have established contacts with the PR folks and get the exclusive material first (ref: Stereogum, GvsB, MOKB). Now, I have no problem with these blogs and applaud them for their success. But, in the end the smaller blogs get the shaft. There is a huge group of readers out there that follow the smalller blogs because they like the effort they put into writing and reviewing albums and tracks. Yes, quality over quantity, in itself, is a good idea. But if you only cater to the larger blogs you will be missing a huge audience. Personally, I avoid "blogs" like Stereogum because they just seem so mainstream to me. They don't have that indie feeling. And, again I am not trying to diss them, but it is just the way I feel. And I know a lot of other blog readers feel the same way.

    I run a shit for nothing small blog with a small readership (they only come for the mp3's). I would love to have the chance to feature an exclusive track and write a decent review on it. But I never get the opportunity. Wendy, I will say, has been very good to me and even though I am small she has given me some good material to review. But, she is the only PR person that I have a relationship with and that will try to work with me. And I would also argue that a good PR person is not doing their job properly if they only cater to the larger readership blogs. They would be in essence hurting themselves, the labels and the artists. That is because there is a huge group of readers out there that only visit the smaller blogs because they enjoy the more intimate feeling that they get from these blogs.

    Well, I am f*&*&*ing rambling now but it just doesn't make sense to me. The beauty of music blogs is that there is so many of them and a great diversity (sp?) among them. I enjoy the smaller blogs, the thoughtful writing and the whole DIY aspect of it all. But, with the current model we have, I am probably missing out on being exposed to some new good stuff. So, to me, a good PR person would spread the "quality" out to as many blogs as possible. That way, the whole audience out there can be exposed to the music and it will do a better justice to the labels and artists alike.

    Well, I have probably written myself into a hole here and will pay for it..... Sorry, just my opinion.
  • Yeah I'm not talking about the big Stereogum type sites. They are a completely different level. I mean the real deal niche blogs with dedicated followings who will hype the shit out of new music to the right influencer type people. I don't know your situation merzmars, but if you want more PR opportunities you might have to just put more work into talking to those people. I'm sure you get your fair share of promo blasts.
  • Well I think I am a little different.  I get shitloads of exclusive material, but never from PR people.  I get it from going out and participating in my local scene and getting to know the bands and finding people and their friends on MySpace.  It's not the same as premiering the new Decemberists cover of a Stevie Wonder classic on Song, by Toad, which I assume really would be a big deal, but I'm happy enough with that.  And the Edinburgh scene, honestly, is just not that great.  I have some good friends and I have found some good bands, but most people could find what I have in their home towns, I think, unless they really do live out in the sticks.  There's still not much more than an enthusiastic DIY scene here.  Our biggest band could maybe pull 600 people, even in Edinburgh itself, so hardly momentous.



    I do try and engage most PR people who send me stuff - assuming it's at least vaguely appropriate - and that also helps.  For the most part PR folk who contact me are pretty good, but then the UK industry is a little less of a behemoth than in the US, so maybe it's easier to get to speak to people directly.



    Certainly Merz is right when he says that only dealing with the big boys is silly.  Blogs work best as an aggregate, so our power exists more as a mass than as individuals, and I think that if you don't deal with the little fish then you are slightly misunderstanding the medium.
  • Can I just reiterate, as Ears says above, that the 'engage on a personal level' thing goes both ways.  If PR people send you stuff, give them a little feedback and unless they are total fuckwits you should find that the quality of the relationship increases massively.  It only takes a couple of sentences.
  • I completely agree SongbyToad. I've had some really great relationships develop from merely saying "thanks for hooking me up with that cool song and keep me updated in the future"
  • If PR people send you stuff, give them a little feedback and unless they are total fuckwits you should find that the quality of the relationship increases massively.


    So true. For a long time if I didn't like something I went the Golden Rule route and simply said nothing at all, because I didn't want to seem nasty or ungrateful, but I discovered that a simple 'sorry, not for me' goes a long way. It also tends to whittle down the number of 'sorry, not for me' replies I'm forced to write, as the PR folk start getting a better idea of what your tastes are.
  • @Sean - I think I should start doing that more often.



    With PR reps that I already have a good relationship with I have always said whether I've liked something or not.

    But with new (to me) PR people, I sometimes get caught in the scattergun and sent a whole bunch of stuff well outside my tastes, and I don't want to be rude so have just ignored them and wait for something I do like to come along, which I then say I appreciate. It appears that positive as well as negative feedback could reduce my inbox overflow somewhat though, which would be great at the moment.
  • Thanks y'all for some excellent responses. I'm in a delicate spot personally and I appreciate the thoughtful comments. Matthew and EarofTheBeholder hit home with the "engage on a personal level" issue. In retrospect, I do get tons of emails from PR people (I even posted about that recently). And the fact is I feel guilty that I don't put enough effort into those emails. And I wondered recently where that guilt feelling came from. Well, I know now, that it is because I have not paid enough attention to those emails, but more importantly I have not engaged with any of them. A simple email reply would go a long way to the start of establishing a relationship with those PR people.

    We all are very fortunate to have someone like Wendy who has engaged herself to us all. She has gone out of her way to establish these relationships no matter the size of the blog. And I'm sure there are probably other PR people out there like her. But, it goes both ways as Matthew said. I need to respond to those emails and do my part in cultivating a successful relationship. Blogging is a social thing and it requires a lot of work (researching new music, communicating with other bloggers and PR people etc.) but the payoff is wonderful especially when you get a comment from someone that says thanks for introducing me to this new music. So, in the future I will try to engage more with the emails I get and develop better relationships with the folks sending them.
  • I'd also mention that if you don't want promo emails from someone, I think you should remember there's an actual human being on the other end. This comes up because one of the girls that works for a pretty well known outfit and I were recently chatting and that day she'd received a plentiful supply of 'FUCK OFF' and 'WHY DON'T YOU KILL YOURSELF' replies from bloggers, all on the initial contact. She wasn't ready to throw in the towel, but it had obviously had an effect on her (as it would on anyone with, ya know, feelings). I know there are crummy publicists & firms out there, but the majority of these people are working in this field because they legitimately love and wish to promote music. They definitely aren't doing it to get rich, I'll put it that way. And we should remember that they're under pressure, both from us in terms of what we demand as well as clients. I know we all get inundated and it's really frustrating, but if someone is reaching out for the first time there's simply no excuse to be that nasty, in my opinion.
  • Pshaw, guys. I am so tired of hearing the song-and-dance about "personal emails" that I want to die. Sure, it's about "establishing relationships" but most of my personal emails in the PR biz went unanswered. How are you supposed to build relationships that way? The fact is: bloggers demand more from PR people than most of the big-time freelancers did. I got less guff from Robert Christgau and David Fricke than I did from hundreds of bloggers. The entitlement I encountered was downright astounding sometimes. So what do you do? I'm not going to NOT send press releases. It's still the most effective way of disseminating information on a large scale. I also did MP3 updates to people. And I sent personal emails. You have to remember that there are thousands of you guys, along with all of my traditional media contacts. I'm sorry if it's hard to develop a relationship, but gimme a break. It cuts both ways. I offered exclusives and things to all kinds of smaller blogs because they (GASP) wrote me back. I did the personal email thing, to no avail, for so long that it's laughable that it keeps coming up as a suggested PR strategy. You think personal emails are best? I started PR in the days of phone calls only. That was a lot easier because people couldn't avoid you or get squirrelly on the phone.

    Wendy is right to blame some of the spammer-type PR people for the problems with lack of response, but it's a two-way street. Write back and say "I hate your stuff" and that's fine. It's a response for our clients. If you want out of the emails, just say you want out. If the PR person is a professional--and I admit that not a lot of us are--then you can get out of them.

    And I will say this, and it's gonna be hard for you to hear, but some of you out there in the blogosphere are not nice people. The angry emails noted by Sean R. are de rigeur with some folks. Others have their favorite PR people and they become Motormouth: The Blog or Force Field: The Blog, perhaps without even knowing. And, finally, blogs individually are not always "crucial" to a PR person's success on their own. It's the combination of blogs posting about the same thing that helps. It's the appearance of hype that drives more success. In fact, the more of them that are out there the less each one of you individually matters to a PR person. That means more spam and less personal emails. This why I groused when 300 blogs told me they wouldn't accept digital servicing and all wanted personal emails.

    Some days, I am glad to be out.
  • Music bloggers by and large write because they want to and not because they're paid to. We may be more needy because of that as well. Christgeau et al get paid to deal with pr types, we don't. And speaking for myself I never asked to be put on all these email lists or mailing lists for that matter.

    We also don't write much (length) or generally very well. It seems then that our best currency is writing about something first. Of course writing about something well would be better and arguably would get better results, but I just don't see that very often in the blogosphere. So I think these email blasts ruffle feathers because we all know consciously or unconsciously that about 3000 other blogs are getting the same material at the same time. Taking away any element of surprise or true discovery.

    I personally dislike pr campaigns because I like to discover new music myself and not have it force fed to me. I have no interest in writing about a band that's been covered dozens of times in the last week alone and that's what you get with these PR driven bands. And you'd be surprised how hard it is (ne impossible) to get off some of these lists.
  • The last two paragraphs of Craig's post above sums up my thoughts far better than I was going to write them
  • I mean, great! Good job, both of you. Seriously. I love to discover new stuff, too. Forgive me for being skeptical of claims of being not influenced by PR, but I do know you both from reputation and experience. The previous discussion, however, included the canard about personalized emails and I just was grumbling about how I love it that bloggers say they want this attention and then you give it and they still don't respond. Just because Christgau gets paid doesn't mean he has to respond to me. I used him because he was a notorious non-responder and he was still better than some blog types who I know were listening to other PR folks. And some bloggers do make money from this or at least try to. I'm saying that it's fun to say things like send us personalized emails, but in practice nobody responds still, except to ask for CDs and tickets. This is a broad generalization of course and, as always with the elbo.ws board, the people here usually aren't the problem.
  • I think we did say that, though.  I specifically said that sending out 300 individual emails just wasn't practical, and then also said that we have to practise what we preach in terms of responding civilly and individually to people who send us nice things.  I don't disagree with anything you're saying, Lucas, and actually I thought you wrote perfectly judged mass emails.  But the way you are talking sounds like you feel you are disagreeing with the bulk of these comments and I don't think you are. There's a whole page here where we are basically saying that being nice to PR people is important.



    We're all agreeing with you, old chap. 



    Although with a few exceptions my relationships tend to be the best with PR people who work for labels, rather than PR companies.  Wendy and yourself in the old days, and Matt Brown from Loose over here are the exceptions I can think of off the top of my head.  But generally when it's a label PR person it works better because the hit rate is much higher as labels seem to be more likely than PR firms to have a signature sound or style which is easier to target.
  • I wish it was only 300 individual emails! Haha. My life would have been much better if it were that few. And you were always great about responding, Matthew. Eh, maybe I'm just getting worked up here about nothing.

    I always wondered about being a label PR person. If you are lucky like Adam at Beggars, man, that's a sweet gig in terms of music quality. But some labels are pretty up and down and the PR person has little control over that. You may not have understood why we booked the projects we did, but at the very least, it was because we liked the people we were working with. In the end, the pros and cons probably balance out. The world of indie PR is cutthroat. People steal projects from each other all the time and generally act like, well, like people in the music industry. Like I said, some days I feel pretty good to be out of the biz!
  • A meta-note: this discussion reminds me that I write because I love the stuff, not so I can get some sort of credibility. Just in time, too, because it kind of dilutes the frustration I was just feeling about a fellow same-niche blogger who just sent a huge "this is everything I've been sent in the last few weeks" post, and turns me back towards my own love of the music even as it keeps me from revisiting the emails which contained those cover songs.

    As Craig says, I have no interest in writing about the next best thing just because everyone else does, but I also lose all interest in writing about even ONE of those if all I have to offer is what every other blogger is already looking at, and using. In my mind, this is what keeps me looking for those personally written emails. And if someone feels they have to send out 300 personal emails, they're missing the point entirely.

    But all this talk is, in the end, as much a function of going digital overall, isn't it? Which is why I still favor hardcopy reachout, even as the world changes.

    See, if I get a CD, 'specially in THIS day and age, the odds are better it's gone to less people, as it took more energy (and more cost) PER RECIPIENT to get it out. To me, getting a disk from a small-scale production is a better sign that what I'm holding has been targeted to ME, not an easy-to-hit-"send all" e-mailing list.

    Labels, take note: even though most others prefer digital product, the larger issue is still valid and vital. The digital world may make it easier to reach more with less, but that has a devaluing effect on each product; to hold us responsible for that devaluation, and your own response to it, is both misguided and, given our "fans first" volunteerism, ultimately going to turn us off more than you'd like, and more than your model depends upon.
  • I'm not saying I'm not influenced by PR per se. I definitely am, it is just that if I'm sent something through word of mouth/friends/random individuals/bloggers/etc that I know is not being sent to everyone else in the blogosphere then it goes straight to the top of my list of stuff to listen to.



    If I've been sent something as a mass mailing, that is fine, but it just gets burried with the other God knows how many mass mailings. I really try to listen to everything I'm sent, but that is getting harder and harder. And as I know the mass messages will get coverage elsewhere I tend to ignore them. If I blog I read picks them up, then I go back and read the PR email. If I'm on a mass mailiong list of music that reflets my particular taste - that is excellent news, and once I work that out I will put them towards the top of the pile as well.



    The only PR messages I genuinely dislike are the ones that look as if they are trying to be personal , but are mass mailings. They say "I've been reading your blog and...". If anyone who likes music reads my blog that is amazing (people in PR included), but I don't expect PR people to read it. If they don't read it, then please don't lie as the opening to the message and then give me some other generic rubbish. A bit of a rant, but I had a clear through of my inbox today and there are quite a few of these.



    I don't think me blogging is anything more than a personal filter for music, and PR emails are how plenty of music comes my way.



    -Tim
  • If PR company is that good, that company should skip the middle man and get to the public directly....





    It's called "PUBLIC Relation" ... not "Intermediated , almost public, middle man service"

    This is about as stupid as "record company" stops making record and simply becoming legal management entity that happen to sell some audio entertainment property.
  • Jesus Christ, guys

    Either you want to hear about new stuff from publicists and utilize them as professionals who can help you out or you don't

    If you are actually interested in hearing new stuff you like, you should probably get it from friends with taste or blogs or magazines like a normal person
  • I'm not sure, Dave. I don't think it's an attempt to dictate terms to merely ask publicists not to complain/hold us responsible for their own frustration when we have different needs. To ask that those needs be at least categorized is also harmless, IMHO, and indeed, in many cases is a helpful suggestion addressing that frustration.

    Remember, this thread started, in part, as a response to a comment from a publicist who was frustrated by our diversity. They WANT to help us and use us, and we want to help them and use them; this discussion is just providing material for all of us to better create that balance, is it not? I think to dismiss the thread itself is to miss the point.

    In other words: obviously, we are interesting in finding stuff we like; that's why publicists send us stuff, in the hopes that we'll like it enough to help them/artists spread the word. If I am ONLY interested in receiving stuff I like, then it's true, I should ignore publicity. But I don't think that's what I'm seeing here. To ask that the publicity machine both recognize us EN MASSE for who we really are, and provide a mechanism for us to filter that which we DO Like seems perfectly appropriate, as it saves time for them AND us, and keeps things civil.
  • Found this article from a few days ago:

    http://www.waycooljnr.com.au/2009/04/01/how-to-get-music-bloggers-to-write-about-you/

    No comment...yet

Howdy, Stranger!

It looks like you're new here. If you want to get involved, click one of these buttons!