The music and books retailer HMV and the music giant EMI are two of
the grand old dames of Britain’s music industry. But the future of both
these historic enterprises, with a pedigree of recording talent going
back almost a century, is in doubt.
Together with other UK-based
creative champions such as Warner Music as well as a host of
imaginative, independent record producers, they are in danger of
extinction — as is this country’s extraordinarily successful music
business.
From Dame Vera Lynn to Tom Jones and The Beatles,
Britain has long had the knack of producing music superstars capable of
conquering the world. Indeed, we are still the world’s second- largest
exporters of music.
This would allow for genuine price competition on the web rather than
an unfair war between the pirates and the legitimate outlets.
None
of this might be enough to save HMV, or for that matter EMI or Warner
Music. The latter two big record producers, the bedrock of British rock
and classical recordings, are currently owned by the big banks after
their private equity owners failed to make loan repayments.
(What no mention of Apple? Maybe Google should drop EMI & WMG from their next web store. ahahahaaa..... please of please....)
Over the last couple of years, music recorded outside of the major
labels and released outside of what we think of as the traditional
mass-market commercial system has grown into something that looks more
and more like traditional success. The tops of the Billboard charts are regularly dotted with independently released albums. Arcade Fire's Grammy win for Album of the Year in February scanned as a fluke to those expecting a huge pop star to snag the award, but The Suburbs made its debut at No. 1 on the Billboard 200
the same week the band played two sold-out shows at Madison Square
Garden. (One final note to anyone who expressed — or feigned —
befuddlement at the prize: You had 10 weeks to Google and/or listen to
the five nominees in this category.)
This year, the world of indie music has another success story: Adele's, 21,
the biggest album of the year so far, with just over than a million
copies sold. That album is the product of XL Recordings, an independent
British label (21 was licensed to the major label Columbia
Records in the U.S.). Sure enough, one of its songs has been remixed —
by a member of The xx, another band that records for XL — for a
limited-edition release available on Record Store Day. Once the supply
is gone, that song will likely show up on MP3 blogs and be heard by far
more people than the few thousand who manage to get a copy on vinyl.
Which is a pretty fair representation of the relative space filled by
brick-and-mortar stores in a world dominated by the exchange of music
over the Internet — for money or not.
http://www.npr.org/blogs/therecord/2011/04/15/135442925/the-record-stores-are-alright
sometimes I have the feeling NPR is slacking off and scrub ideas from the blog. lol.
21 debuted at the top of the charts, selling 350,000 copies
and making it one of the biggest album debuts for 2011. In only seven
weeks, Adele has been able to sell over a million albums.
"Rolling In the Deep", the first single off of 21 has sold 610,000 units since it was released in November of 2010. PopEater
reports that last week the single has gone from being number 17 to
number 10, making it the first United States top 10 hit for Adele.
http://thecelebritycafe.com/feature/adeles-21-2011s-first-platinum-album-04-14-2011
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