Most Memorable Soundtrack
  • ok. I am bored. ideally, this would be listed in top to bottom order, And chronological. (hey, I might even watch these movies...) What's your fav. soundtrack?











    ..Ascenseur pour l'échafaud is a 1958 French film directed by Louis Malle. It was released as Elevator to the Gallows in the USA (aka Frantic[1]) and as Lift to the Scaffold in the UK. It stars Jeanne Moreau and Maurice Ronet as criminal lovers whose perfect crime begins to unravel when Ronet is trapped in an elevator. The film is often associated by critics with the film noir style.[1]

    The score by Miles Davis has been described by jazz critic Phil Johnson as "the loneliest trumpet sound you will ever hear, and the model for sad-core music ever since. Hear it and weep."[2]


    http://en.wikipedia.org/wiki/Elevator_to_the_Gallows


     


     


  • "Wild Is the Wind" is a song written by Dimitri Tiomkin and Ned Washington. The track was originally recorded by Johnny Mathis for the 1957 film Wild Is the Wind. The song was very popular and was one of five songs nominated for an Academy Award; it was sung by Johnny Mathis at the March 1958 Oscar presentations. It was later covered by Nina Simone on the album Wild Is The Wind (1966). David Bowie recorded a version of it in 1976 for his album Station to Station. Bowie was an admirer of Simone’s style, and after meeting her in Los Angeles was inspired to record the song for his album.



    http://en.wikipedia.org/wiki/Wild_Is_the_Wind_(song)











  • Dammit, how do we embed videos here again? I can never figure it out!
  • Actual full on soundtracks rather than theme tunes then there are some obvious but great choices like Gladiator and Forrest Gump.
    Then the indie wonder of Garden State and then I have to say the Daft Punk Tron soundtrack is breathtaking.
  • @Sean - I can't embed video's either. Pissing me off, maybe it's my Safari browser?


    Anyways, one of the best and one of my favorite movies of the 80's - Repo Man


    image

    Awesome soundtrack:


    • 1. Repo Man by Iggy Pop
    • 2. T.V. Party by Black Flag
    • 3. Institutionalized by Suicidal Tendencies
    • 4. Coup D’Etat by Circle Jerks
    • 5. El Clavo Y La Cruz by The Plugz
    • 6. Pablo Picasso(Jonathan Richmond cover) by Burning Sensations
    • 7. Let’s Have A War by Fear
    • 8. When The Shit Hits The Fan by Circle Jerks
    • 9. Hombre Secreto (Secret Agent Man) by The Plugz
    • 10. Bad Man by Juicy Bananas
    • 11. Reel Ten by The Plugz

    Incredible (at least to me) Circle Jerks, Suicidal Tendencies, Iggy Pop, Black Flag.... And Emilio Estevez, Harry Dean Stanton. Plus it's part Sci-Fi and part Punk!


    Here's a good page with video clips


    This is a must see if you haven't already....

  • The Lord of the Rings.

    ....yeah, i went there.
  • Mothman Prophecies


    Regarded as some to be a 'weak' movie but I felt it was somewhat cool and compelling. I was especially "haunted' by the superb soundtrack, which I sought out and purchased after seeing the movie. It was the first time I heard of King Black Acid, tomandandy. Obviously, I knew of Low and Glen Branca but didn't identify them until I bought the 2 disc soundtrack.


    "The Mothman Prophecies' soundtrack shows a new and bold direction as far as mainstream, big-budget movie soundtracks are concerned. There are a variety of composers and artists on this recording who would never see the light of day, let alone be featured, in a Richard Gere movie. Of particular interest on this recording are some excellent tracks featuring Low with Tomandandy, as well as an entire CD (it's a two-CD set) dedicated to the work of King Black Acid. There's also an interesting track by Glenn Branca, who's associated with the Sonic Youth crowd. A highlight on this recording is the work of Tomandandy and their full-on music score for this film. That alone might make this recording worthy of purchase, or at least picking it up at the used CD store. Check it out. It won't blow your mind, but it's interesting." ~ Matt Borghi


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    Disc One:


    • 1. "Half Light" (single) - Low with tomandandy
    • 2. "Wake Up #37" - King Black Acid
    • 3. "Haunted" - King Black Acid
    • 4. "One and Only" - King Black Acid
    • 5. "Collage" - Glen Branca
    • 6. "Great Spaces" - King Black Acid
    • 7. "Rolling Under" - King Black Acid
    • 8. "Half Life" - King Black Acid
    • 9. "Soul Systems Burn" - King Black Acid
    • 10. "Half Light" (tail credit) - Low with tomandandy

    Disc Two:


    • 1. Movement 1: Composed of 12 Members / Retrace / A New Home / MRI / Welcome To Point Pleasant
    • 2. Movement 2: Point Pleasant / Seeing Strange Things / It's A Coice And It's Saying, Do Not Be Afraid / He's Wrong / Denver 9
    • 3. Movement 3: I Had A Dream Like That / Not From Human Vocal Chords / Zone Of Fear / Ring Ring / Leek / Leek Wouldn't See Me
    • 4. Movement 4: All At Once, I Understand, Everything / Do You Know That Woman? / The Tape Reveals / We Are Not Allowed To Know
    • 5. Movement 5: It's How I Ended Up Here / Airport / I Have To Go
    • 6. Movement 6: We Have Dinner At 6, and We Open Presents at 8 / 12:00 Call
    • 7. Movement 7: The Bridge
    • 8. Movement 8: Mirror Drone / John's Theme / Cellos

    Oh yeah, also for the movie, I've been in love with Laura Linney for quite some time now.

  • Merz, I think you might have forgotten to close an HTML tag somewhere.
  • Okay, I figured it out. The visual editor apparently does not work with Google Chrome. Had to pop open Firefox which I have not done in ages. Jesus is this thing slow!
  • @Sean - Oops, does that look any better for my posts?

  • Shazaam! That fixed it.
  • Thanks, Sean!





  • Blowup is a 1966 British-Italian film directed by Michelangelo Antonioni, his first English-language film. It tells of a photographer's accidental involvement with a murder, inspired by Julio Cortázar's 1959 short story, "Las babas del diablo" or "The Devil's Drool",[1] and by the life of Swinging London photographer David Bailey. The film was scored by jazz pianist Herbie Hancock, although the music is source music, as Hancock noted: "It's only there when someone turns on the radio or puts on a record."[2] Nominated for several awards at the Cannes Film Festival, Blowup won the Grand Prix.


    Blowup stars David Hemmings, Vanessa Redgrave, Sarah Miles, John Castle, Jane Birkin, Tsai Chin and Gillian Hills. The 1960s model Veruschka has a scene considered by Premiere Magazine as "the sexiest cinematic moment in history". The screenplay was written by Antonioni and Tonino Guerra, with English dialogue by British playwright Edward Bond. The film was produced by Carlo Ponti, who had contracted Antonioni to make three English-language films for MGM (the others were Zabriskie Point and The Passenger).


    http://en.wikipedia.org/wiki/Blowup

  • This one must be MdM fav. Post it a million times over...







    Les Stances a Sophie is a 1970 soundtrack album by the Art Ensemble of Chicago recorded in Paris for a French film directed by Moshe Mizrahi and first released on the Pathé Marconi label in France and on Nessa Records in the U.S.. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Fontella Bass and Don Moye. Moshe Mizrahi commissioned the original music for the film with the band only having two weeks left on their French visas.[1] Allmusic reviewer Brian Olewnick calls the album "one of the landmark records of the burgeoning avant-garde of the time and, simply put, one of the greatest jazz albums ever".[2]


    http://en.wikipedia.org/wiki/Les_Stances_a_Sophie


     

  • I never quite understand the appeal of this movie.. Isn't it suppose to be rebellious at that time? But it's so mannered.








  • Fantastic Planet (French: La Planète Sauvage, lit. The Savage Planet) is a 1973 animated science fiction film directed by René Laloux, production designed by Roland Topor, written by both of them and animated at Jiří Trnka Studio. The film was an international production between France and Czechoslovakia and was distributed in the United States by Roger Corman. It won the special jury prize at the 1973 Cannes Film Festival.[1] The story is based on the novel Oms en série, by the French writer Stefan Wul. A working title for the film while it was in development was Sur la planète Ygam (On the Planet Ygam).[2]


    http://en.wikipedia.org/wiki/Fantastic_Planet
  • 1969's - Easy Rider


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    The Band's original version of "The Weight" was used in the movie Easy Rider, but the 1969 soundtrack album from the film had instead a cover version by the group Smith.


    When Easy Rider became a successful film upon release, a decision was made to release a soundtrack album, and most labels agreed to license their tracks to Dunhill/ABC. Only Capitol Records held out, so the Band's version of "The Weight" was replaced by a near-copy recorded by Dunhill act Smith. The soundtrack album also featured some dialogue and sound effects from the film. The result was a commercial bonanza: The album reached the Top Ten and went gold, becoming the second most successful soundtrack LP of the year, after the Nino Rota score to Romeo and Juliet. Just as the film transformed values in Hollywood, the soundtrack album helped give birth to a new business in which soundtrack albums became
    collections of various pop songs that sometimes out-grossed the films with which they were associated.
    - William Ruhlmann


    • The Pusher (Hoyt Axton) - Steppenwolf
    • Born To Be Wild (Mars Bonfire) - Steppenwolf
    • I Wasn't Born To Follow (Gerry Goffin & Carole King) - The Byrds
    • The Weight (Robertson,Robbie) - Smith
    • If You Want To Be A Bird (Antonia Duren) - The Holy Modal Rounders
    • Dont' Bogart Me (Elliott Ingber & Larry Wagner) - Fraternity of Man
    • If Six Was Nine (Jimi Hendrix) - The Jimi Hendrix Experience
    • Kyrie Eleison Mardi Gras (David Axelrod) - The Electric Prunes
    • It's Alright Ma (I'm Only Bleeding) (Bob Dylan) - Roger McGuinn
    • Ballad Of Easy Rider (Roger McGuinn) - Roger McGuinn







  • Forbidden Planet's innovative electronic music score (credited as "electronic tonalities"—partly to avoid having to pay any of the film industry music guild fees—was composed by Louis and Bebe Barron. The MGM producer Dore Schary discovered this couple quite by chance at a beatnik nightclub in Greenwich Village while on a family Christmas visit to New York City. Schary hired them on the spot to compose his film's musical score. The theremin (which was not used in Forbidden Planet) had been used as early as 1945, in the film Spellbound, but the Barron's score is widely credited with being the first completely electronic score. This soundtrack preceded invention of the Moog synthesizer(1964) by eight years.
    Using ideas and procedures from the book, Cybernetics: Or, Control and Communication in the Animal and the Machine (1948) by the mathematician and electrical engineer Norbert Wiener, Louis Barron constructed his own electronic circuits that he used to generate the "bleeps, blurps, whirs, whines, throbs, hums, and screeches".
    Most of these sounds were generated using an electronic circuit called a "ring modulator". After recording the basic sounds, the Barrons further manipulated the sounds by adding other effects, such as reverberation and delay, and reversing or changing the speeds of certain sounds

     
  • The film is Brick.

    It should be top of everyone's list of films they've not seen :)

    This is my pick from the soundtrack. It's as beautiful and eerie as the film.

    Brick - Nathan Johnson - Emily's Theme
  • accidental double post
  • 1986's - Captive


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    "The daughter of an international tycoon is kidnapped by a trio of abductors who seek to mold her to their lifestyle."


    The movie is decent. The soundtrack awesome (imo).


    The soundtrack for the 1986 UK film Captive is the only solo album to date by The Edge, guitarist of U2.


    The Edge approached Michael Brook, creator of the Infinite Guitar, which The Edge regularly uses, to collaborate on this soundtrack album; Brook co-produced and helped with the instrumentals and some of the writing.


    The Edge also approached a young vocalist just beginning to appear on the Dublin scene to provide vocals for the main theme. This was Sinéad O'Connor, who would shortly afterwards release her debut album. Larry Mullen Jr also provided drums on the main theme.


    The music on Captive is a mix of ambient styles. The majority of tracks are instrumentals. The track "Heroine" was released as a single.


    Soundtrack - All tracks written and performed by The Edge and Michael Brook


    • "Rowena's Theme" – 3:56
    • "Heroine" (Theme from Captive) (music by The Edge, lyrics by The Edge and Sinéad O'Connor) – 4:27
    • "One Foot in Heaven" – 5:10
    • "The Strange Party" – 5:35
    • "Hiro's Theme I" – 4:16
    • "Drift" – 2:20
    • "The Dream Theme" – 3:36
    • "Djinn" (Michael Brook) – 3:02
    • "Island" – 1:53
    • "Hiro's Theme (Reprise)" – 1:37

    "Heroine" one of Sinead's earliest recordings. Released in 1986 with The Edge from his soundtrack album for the movie Captive also featuring his U2 bandmate Larry Mullen. Produced by The Edge and Michael Brook.


    The Edge (U2), Sinéad O'Connor & Larry Mullen : Heroine (1986)
  • 1983's - Suburbia


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    "When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart. Directed by Penelope Spheeris of "Decline of Western Civilization." - IMDb


    Soundtrack


    • Richard Hung Himself - D.I.
    • Wash Away - T.S.O.L.
    • Darker My Love - T.S.O.L.
    • Legend of Pat Brown - The Vandals
    • Picking Up Joe - Alex Gibson
    • Ethan's Rescue - Alex Gibson
    • Punk Parade - Alex Gibson
    • Sheila's Song - Alex Gibson
    • Keep Off the Grass - Alex Gibson
    • Garage Raids - Alex Gibson
    • T.R. Revisited - Alex Gibson
    • Suburbia - Alex Gibson

    Penelope Spheeris


    Alex Gibson










  • 1978's - The Punk Rock Movie


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    The Clash - "The Only Band That Matters"


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    RIP - Joe Strummer


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    The Punk Rock Movie was assembled from Super 8 camera footage shot by Don Letts, the disc jockey at The Roxy club during the early days of the UK punk rock movement, principally during the 100 days in 1977 in which punk acts were featured at The Roxy club in London.


    The film features live footage of The Clash, the Sex Pistols, Wayne County & the Electric Chairs, Generation X, Slaughter and the Dogs, The Slits, Siouxsie and the Banshees, Eater, Subway Sect, X-Ray Spex, Alternative TV and Johnny Thunders and The Heartbreakers. Backstage footage of certain bands, such as Generation X, The Slits and Siouxsie and the Banshees, is also included.


    All live footage was shot at the Roxy, except that of the Sex Pistols, who were filmed at The Screen On The Green cinema in London on 3 April, 1977. The performance was Sid Vicious' first public concert with the band. - Wiki









  • 1983's - Valley Girl


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    Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends. - IMDb


    The soundtrack features a host of new wave recording artists including the Plimsouls and Josie Cotton, both of whom appeared in the film. Songs by Bonnie Hayes, Modern English and the Payolas were also featured prominently.


    Many of the songs were minor chart hits in 1982–1983. Josie Cotton's "Johnny, Are You Queer?" was a regional hit in Southern California in 1981, reaching #5 on KROQ's Top 106 of the year and "He Could Be the One" from her album Convertible Music had reached #74 on the Billboard Hot 100 in 1982. The song heard over the opening credits is "Girls Like Me" from Bonnie Hayes' 1982 album Good Clean Fun, which "bubbled under" the Billboard 200 album chart at #206. The Plimsouls' "A Million Miles Away" and the Payolas' "Eyes of a Stranger" were moderate hits in 1982, reaching #11 and #22, respectively, on Billboard's Top Tracks chart. "I Melt with You" by Modern English reached #78 on the Billboard Hot 100 in 1983.


    The end credits show songs by The Clash, Culture Club, Bananarama and The Jam, however, those songs aren't heard in the film. After the film was completed, problems arose in acquiring the music rights and substitute songs had to be dubbed in. Altogether, the music rights cost $250,000 on top of the film's original $350,000 budget.


    The planned release of a soundtrack album on Epic Records was cancelled due to the clearance problems with some of the songs. Instead, a different six-song mini-album was manufactured by Roadshow Records, a one-off subsidiary of Atlantic Releasing Corp. The album was never commercially released, but a few copies leaked out and became highly valued collector's items. More common is a counterfeit copy which is distinguished by the misspelling of the title as "Valley Girls" on the spine of the album cover.


    In 1994, Rhino Records released a compilation of songs from the film's soundtrack on compact disc which peaked at #155 on the Billboard 200. This was followed by a second volume titled More Music from the Valley Girl Soundtrack in 1995. - Wiki


    • 1. A Million Miles Away - Plimsouls
    • 2. Johnny, Are You Queer? - Josie Cotton
    • 3. Eyes of a Stranger - Payolas
    • 4. Angst in My Pants - Sparks
    • 5. Who Can It Be Now? - Men At Work
    • 6. Everywhere at Once - Plimsouls
    • 7. I La La La Love You - Pat Travers
    • 8. He Could Be the One - Josie Cotton
    • 9. Love My Way - Psychedelic Furs
    • 10. Jukebox (Don't Put Another Dime) - The Flirts
    • 11. The Fanatic - Felony
    • 12. She Talks in Stereo - Gary Myrick and the Figures
    • 13. Oldest Story in the World - Plimsouls
    • 14. School Is In - Josie Cotton
    • 15. I Melt with You - Modern English





























  • 1973s - Mean Streets


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    Mean Streets is a 1973 drama film directed by Martin Scorsese and written by Scorsese and Mardik Martin. The film stars Harvey Keitel, Robert De Niro and David Proval. It was released by Warner Bros. on October 2, 1973. De Niro won the National Society of Film Critics award for Best Supporting Actor for his role as John "Johnny Boy" Civello.


    In 1997, Mean Streets was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." - Wiki


    Soundtrack


    The film includes many pop and rock hits, including "Be My Baby" by The Ronettes, a version of "Please Mr. Postman" by The Marvelettes, and "Jumpin' Jack Flash" and "Tell Me" by The Rolling Stones. - Wiki



    • "JUMPIN' JACK FLASH"
      By The Rolling Stones


    • "TELL ME"
      By The Rolling Stones


    • "I LOVE YOU SO"
      By The Chantels


    • "ADDIO SOGNI DI GLORIA"
      By Giuseppe Di Stefano


    • "CANTA PER' ME"
      By Giuseppe Di Stefano


    • "MUNASTERIO DI SANTA CHIARA"
      By Giuseppe Di Stefano


    • "MARRUZELLA"
      By Renato Carosone


    • "SCAPRICCIATIELLO"
      By Renato Carosone


    • "PLEASE MR. POSTMAN"
      By The Marvelettes


    • "STEPPIN' OUT"
      By John Mayall's Bluesbusters


    • "I LOOKED AWAY"
      By Eric Clapton


    • "DESIREE"
      By The Charts


    • "RUBBER BISCUIT"
      By The Chips


    • "PLEDGING MY LOVE"
      By Johnny Ace


    • "RITMO SABROSO"
      By Ray Barretto


    • "YOU"
      By The Aquatones


    • "SHIP OF LOVE"
      By The Nutmegs


    • "FLORENCE"
      By The Paragons


    • "MALAFEMMINA"
      By Jimmy Roselli


    • "THOSE OLDIES BUT GOODIES"
      By Little Caesar and The Romans


    • "I MET HIM ON A SUNDAY"
      By The Shirelles


    • "BE MY BABY"
      By The Ronettes


    • "MICKEY'S MONKEY"
      By The Miracles


    • "HIDEAWAY"
      By Eric Clapton





















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