@Sean - I can't embed video's either. Pissing me off, maybe it's my Safari browser?
Anyways, one of the best and one of my favorite movies of the 80's - Repo Man

Awesome soundtrack:
Incredible (at least to me) Circle Jerks, Suicidal Tendencies, Iggy Pop, Black Flag.... And Emilio Estevez, Harry Dean Stanton. Plus it's part Sci-Fi and part Punk!
Here's a good page with video clips
This is a must see if you haven't already....
Mothman Prophecies
Regarded as some to be a 'weak' movie but I felt it was somewhat cool and compelling. I was especially "haunted' by the superb soundtrack, which I sought out and purchased after seeing the movie. It was the first time I heard of King Black Acid, tomandandy. Obviously, I knew of Low and Glen Branca but didn't identify them until I bought the 2 disc soundtrack.
"The Mothman Prophecies' soundtrack shows a new and bold direction as far as mainstream, big-budget movie soundtracks are concerned. There are a variety of composers and artists on this recording who would never see the light of day, let alone be featured, in a Richard Gere movie. Of particular interest on this recording are some excellent tracks featuring Low with Tomandandy, as well as an entire CD (it's a two-CD set) dedicated to the work of King Black Acid. There's also an interesting track by Glenn Branca, who's associated with the Sonic Youth crowd. A highlight on this recording is the work of Tomandandy and their full-on music score for this film. That alone might make this recording worthy of purchase, or at least picking it up at the used CD store. Check it out. It won't blow your mind, but it's interesting." ~ Matt Borghi

Disc One:
Disc Two:
Oh yeah, also for the movie, I've been in love with Laura Linney for quite some time now.
@Sean - Oops, does that look any better for my posts?
Thanks, Sean!
Blowup is a 1966 British-Italian film directed by Michelangelo Antonioni, his first English-language film. It tells of a photographer's accidental involvement with a murder, inspired by Julio Cortázar's 1959 short story, "Las babas del diablo" or "The Devil's Drool",[1] and by the life of Swinging London photographer David Bailey. The film was scored by jazz pianist Herbie Hancock, although the music is source music, as Hancock noted: "It's only there when someone turns on the radio or puts on a record."[2] Nominated for several awards at the Cannes Film Festival, Blowup won the Grand Prix.
Blowup stars David Hemmings, Vanessa Redgrave, Sarah Miles, John Castle, Jane Birkin, Tsai Chin and Gillian Hills. The 1960s model Veruschka has a scene considered by Premiere Magazine as "the sexiest cinematic moment in history". The screenplay was written by Antonioni and Tonino Guerra, with English dialogue by British playwright Edward Bond. The film was produced by Carlo Ponti, who had contracted Antonioni to make three English-language films for MGM (the others were Zabriskie Point and The Passenger).
Les Stances a Sophie is a 1970 soundtrack album by the Art Ensemble of Chicago recorded in Paris for a French film directed by Moshe Mizrahi and first released on the Pathé Marconi label in France and on Nessa Records in the U.S.. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Fontella Bass and Don Moye. Moshe Mizrahi commissioned the original music for the film with the band only having two weeks left on their French visas.[1] Allmusic reviewer Brian Olewnick calls the album "one of the landmark records of the burgeoning avant-garde of the time and, simply put, one of the greatest jazz albums ever".[2]
http://en.wikipedia.org/wiki/Les_Stances_a_Sophie
Fantastic Planet (French: La Planète Sauvage, lit. The Savage Planet) is a 1973 animated science fiction film directed by René Laloux, production designed by Roland Topor, written by both of them and animated at Jiří Trnka Studio. The film was an international production between France and Czechoslovakia and was distributed in the United States by Roger Corman. It won the special jury prize at the 1973 Cannes Film Festival.[1] The story is based on the novel Oms en série, by the French writer Stefan Wul. A working title for the film while it was in development was Sur la planète Ygam (On the Planet Ygam).[2]
1969's - Easy Rider

The Band's original version of "The Weight" was used in the movie Easy Rider, but the 1969 soundtrack album from the film had instead a cover version by the group Smith.
When Easy Rider became a successful film upon release, a decision was made to release a soundtrack album, and most labels agreed to license their tracks to Dunhill/ABC. Only Capitol Records held out, so the Band's version of "The Weight" was replaced by a near-copy recorded by Dunhill act Smith. The soundtrack album also featured some dialogue and sound effects from the film. The result was a commercial bonanza: The album reached the Top Ten and went gold, becoming the second most successful soundtrack LP of the year, after the Nino Rota score to Romeo and Juliet. Just as the film transformed values in Hollywood, the soundtrack album helped give birth to a new business in which soundtrack albums became
collections of various pop songs that sometimes out-grossed the films with which they were associated. - William Ruhlmann
1986's - Captive

"The daughter of an international tycoon is kidnapped by a trio of abductors who seek to mold her to their lifestyle."
The movie is decent. The soundtrack awesome (imo).
The soundtrack for the 1986 UK film Captive is the only solo album to date by The Edge, guitarist of U2.
The Edge approached Michael Brook, creator of the Infinite Guitar, which The Edge regularly uses, to collaborate on this soundtrack album; Brook co-produced and helped with the instrumentals and some of the writing.
The Edge also approached a young vocalist just beginning to appear on the Dublin scene to provide vocals for the main theme. This was Sinéad O'Connor, who would shortly afterwards release her debut album. Larry Mullen Jr also provided drums on the main theme.
The music on Captive is a mix of ambient styles. The majority of tracks are instrumentals. The track "Heroine" was released as a single.
Soundtrack - All tracks written and performed by The Edge and Michael Brook
"Heroine" one of Sinead's earliest recordings. Released in 1986 with The Edge from his soundtrack album for the movie Captive also featuring his U2 bandmate Larry Mullen. Produced by The Edge and Michael Brook.
1983's - Suburbia

"When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart. Directed by Penelope Spheeris of "Decline of Western Civilization." - IMDb
Soundtrack
1978's - The Punk Rock Movie

The Clash - "The Only Band That Matters"

RIP - Joe Strummer

The Punk Rock Movie was assembled from Super 8 camera footage shot by Don Letts, the disc jockey at The Roxy club during the early days of the UK punk rock movement, principally during the 100 days in 1977 in which punk acts were featured at The Roxy club in London.
The film features live footage of The Clash, the Sex Pistols, Wayne County & the Electric Chairs, Generation X, Slaughter and the Dogs, The Slits, Siouxsie and the Banshees, Eater, Subway Sect, X-Ray Spex, Alternative TV and Johnny Thunders and The Heartbreakers. Backstage footage of certain bands, such as Generation X, The Slits and Siouxsie and the Banshees, is also included.
All live footage was shot at the Roxy, except that of the Sex Pistols, who were filmed at The Screen On The Green cinema in London on 3 April, 1977. The performance was Sid Vicious' first public concert with the band. - Wiki
1983's - Valley Girl

Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends. - IMDb
The soundtrack features a host of new wave recording artists including the Plimsouls and Josie Cotton, both of whom appeared in the film. Songs by Bonnie Hayes, Modern English and the Payolas were also featured prominently.
Many of the songs were minor chart hits in 1982–1983. Josie Cotton's "Johnny, Are You Queer?" was a regional hit in Southern California in 1981, reaching #5 on KROQ's Top 106 of the year and "He Could Be the One" from her album Convertible Music had reached #74 on the Billboard Hot 100 in 1982. The song heard over the opening credits is "Girls Like Me" from Bonnie Hayes' 1982 album Good Clean Fun, which "bubbled under" the Billboard 200 album chart at #206. The Plimsouls' "A Million Miles Away" and the Payolas' "Eyes of a Stranger" were moderate hits in 1982, reaching #11 and #22, respectively, on Billboard's Top Tracks chart. "I Melt with You" by Modern English reached #78 on the Billboard Hot 100 in 1983.
The end credits show songs by The Clash, Culture Club, Bananarama and The Jam, however, those songs aren't heard in the film. After the film was completed, problems arose in acquiring the music rights and substitute songs had to be dubbed in. Altogether, the music rights cost $250,000 on top of the film's original $350,000 budget.
The planned release of a soundtrack album on Epic Records was cancelled due to the clearance problems with some of the songs. Instead, a different six-song mini-album was manufactured by Roadshow Records, a one-off subsidiary of Atlantic Releasing Corp. The album was never commercially released, but a few copies leaked out and became highly valued collector's items. More common is a counterfeit copy which is distinguished by the misspelling of the title as "Valley Girls" on the spine of the album cover.
In 1994, Rhino Records released a compilation of songs from the film's soundtrack on compact disc which peaked at #155 on the Billboard 200. This was followed by a second volume titled More Music from the Valley Girl Soundtrack in 1995. - Wiki
1973s - Mean Streets

Mean Streets is a 1973 drama film directed by Martin Scorsese and written by Scorsese and Mardik Martin. The film stars Harvey Keitel, Robert De Niro and David Proval. It was released by Warner Bros. on October 2, 1973. De Niro won the National Society of Film Critics award for Best Supporting Actor for his role as John "Johnny Boy" Civello.
In 1997, Mean Streets was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." - Wiki
Soundtrack
The film includes many pop and rock hits, including "Be My Baby" by The Ronettes, a version of "Please Mr. Postman" by The Marvelettes, and "Jumpin' Jack Flash" and "Tell Me" by The Rolling Stones. - Wiki
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