I love it when musicians make youtube infomercials about their albums! So much cooler than reading a boring bio...plus, the lazy blogger in me can just embed the clip here and stop attempting to dissect someone else's inner most intentions. Firewater's 'Golden Hour' is a fantastic disc from last year that I just picked up over the weekend. Here is Firewater's main man Tod A explaining his motivation, process, and thoughts on the record. There is a song shared after the clip. * "Feels Like The End Of [...]
["Delhi Wall" by Tod A . "Clown Graffiti" (Franklin St. in Greenpoint, Brooklyn) by d.billy . ( via )] Firewater ( myspace ) released a fine record last month, though all your favorite new media outlets were too busy suckling at Scarlett Johansson's massive PR teat to notice. The collective helmed by singer-guitarist Tod A. has been dealing in Waitsian carny cabaret and world musics since long before the current round of indie indulgences, and it doesn't have to resort to rummaging through record collections and staring at [...]
Firewater blow up the laboratory and produce... a great pop record.
In 2005, Firewater's Tod A embarked on what would become a three year sabbatical through the Middle East, the Indian Subcontinent and South East Asia. Recording with a single microphone and a laptop in his pack, he captured performances with a vast array of musicians across India and Pakistan--and eventually Turkey and Israel. Bhangra and sufi percussion would form the basis for the songs he wrote along the way--songs about the world he left behind, politics, and dislocation. audio: borneo [...]
It's been ages since we've checked in on Firewater. It's been a decade since the band's stellar The Ponzi Scheme which housed pederast in a simile and had bodies hitting the floor well before another, louder, more annoying track used in every 'cutting edge' program stuck in, well 1998. Before we go completely off the rails, allow us to give you the dirt on Firewater's May 6th release of The Golden Hour : In 2005, Firewater's Tod A embarked on what would become a 3-year sabbatical [...]
One of the loudest and most savage rock-and-roll shows I saw in the 1990s was Firewater , which laid sinister rock riffs over various Old World dance beats (klezmer, ska, etc.). This was at Brownies, a cavernous beer-and-smoke-stained club that used to reside on 1st Avenue in the East Village (anyone remember it?). I distinctly recall a Japanese keyboard player in a silver Star Trek shirt whose playing blew my mind. And the lead singer had a very bad attitude. Anyway, the album was called Get Off The Cross (We Need The Wood For The Fire) [...]
Chicago based label Bloodshot Records has just announced that they have signed influential act Firewater to a multi-album deal. The group's debut on the label will be the ambitious and long awaited The Golden Hour , which will be coming out in...
Chicago based label Bloodshot Records has just announced that they have signed influential act Firewater to a multi-album deal. His debut on the label will be the ambitious and long awaited The Golden Hour , which will be coming out in April o...
As musically rich and joyful as a Manu Chao with La Mano Negra , as powerful and foot-taping dancing as a first Louise Attaque or Les Negresses Vertes - sorry for so much froggies - , as satanic as the Rolling Stones used to be, as drunken as some of the best irish Pogues , here's the Firewater come-back... After 3 years of silence since their last release 'Songs we should have written' - a collection of cover songs, Tod Ashley is back from an asian, eastern [...]