
There's a track on this compilation called "Giorgio Carpenter", seemingly equating Moroder with Christ. Prins Thomas expertly carves out idols like this and more on his latest eclectic mix. Prins Thomas, who just released a fine little album earlier this year with frequent partner Lindstrøm, is the second long-form selecta this year to celebrate a decade of Offenbach's Robert Johnson club with an eclectic mix of dance cuts. Thomas, like much of the post-twentieth century dancefloor milieu, tends to favor repressed or taunted sounds, aggregating music's punchlines-neobalaeric, prog-fusion, Italo-disco- with the hottest new techno or disco tunes to put [...]